Journals / Mimarlık ve Yaşam / 2017 / Cilt: 2 Sayı: 2

Learning From Kiesler’s Haptic Experience With Model Making: Dissections of Harekattepe Tumulus

Kiesler'in Model Yapımındaki Haptik Deneyiminden Öğrenme: Harekattepe Tümülüsü'nün Diseksiyonları

Pages
219–236
Publication Date
2017-12-31
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Deriving from Kiesler ’ s experimentation with space, material and the model in Endless House, curiosity towards addressing the indeterminate in form was experimented by dissecting the body of a tumulus as an architectural and crafts work by students of architecture at Nam ı k Kemal University in order to raise kinesthetic and haptic perception towards model making.

📌 3 Key Takeaways

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Objective & Hypothesis:This article derives from the perception of the formless in Kiesler ’ s Endless House.
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Key Findings & Data:Form, materiality, tectonics and hapticity become the content and context of idea of correalism within Endless House.
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Conclusion & Impact:Deriving from Kiesler ’ s experimentation with space, material and the model in Endless House, curiosity towards addressing the indeterminate in form was experimented by dissecting the body of a tumulus as an architectural and crafts work by students of architecture at Nam ı k Kemal University in order to raise kinesthetic and haptic perception towards model making.
🔬Design:Modeling & Simulation
📍Scope:Comprehensive Sample
⚙️Variables:Kiesler · sonsuz ev · model yapımı

Abstract

This article derives from the perception of the formless in Kiesler ’ s Endless House. Form, materiality, tectonics and hapticity become the content and context of idea of correalism within Endless House. Deriving from Kiesler ’ s experimentation with space, material and the model in Endless House, curiosity towards addressing the indeterminate in form was experimented by dissecting the body of a tumulus as an architectural and crafts work by students of architecture at Nam ı k Kemal University in order to raise kinesthetic and haptic perception towards model making.

Özet

Bu makale Kiesler ’ in Sonsuz Evindeki bi ç imsizlik alg ı s ı ndan yola çı kar. Bi ç im, maddesellik, tektonik ve dokunsall ı k Sonsuz Ev ’ de korrealizm d üşü ncesinin i ç erik ve ba ğ lam ı haline gelir. Kiesler ’ in Sonsuz Evi ’ nde mekan, madde ve model ili ş kine dair deneyimleme ü zerinden yola çı karak, bi ç imde belirlenimsizli ğ e de ğ inmeye y ö nelik merak, Nam ı k Kemal Ü niversitesi mimarl ı k öğ rencileri taraf ı ndan bir t ü m ü l ü s ü n g ö vdesi disseksiyona u ğ rat ı larak anla şı lmaya ç al ışı l ı r. Burada ama ç , Kiesler ’ in model yap ı m ı ndaki kinestetik ve dokunsal alg ı s ı na y ö nelik farkl ı ndal ığı artt ı rmakt ı r.

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Cite This Article

Özdamar, E. G. (2017). Learning From Kiesler’s Haptic Experience With Model Making: Dissections of Harekattepe Tumulus. Mimarlık ve Yaşam, Cilt: 2 Sayı: 2, 219–236. https://doi.org/10.26835/my.336907

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