SavedAdd your journal

Journals / Sanat Yazıları / 2011 / Sayı: 25-26

The Life And The Important Works Of Caravaggio That Participated Forming The Language Of Baroque Painting

Caravaggio’nun Yaşamı ve Barok Resim Sanatının Görsel Diline Katkıda Bulunan Önemli Eserleri

Aytül Papila(BEYKENT ÜNİVERSİTESİ, GÜZEL SANATLAR FAKÜLTESİ, SAHNE VE GÖSTERİ SANATLARI YÖNETİMİ BÖLÜMÜ)
Pages
25–42
Publication Date
2013-01-20
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

This article contains a discussion of Caravaggio’s contribution to the formation of the language of Baroque painting through his life, his realist style and leading works.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:The year 2010, was the 400th anniversary of the death of Italian painter, Michelangelo Merisi da Caravaggio (1571-1610).
📊
Key Findings & Data:The Caravaggio exhibitions held in Italy, during the year 2010 have brought again the artist’s life and works to the art history media.
💡
Conclusion & Impact:This article contains a discussion of Caravaggio’s contribution to the formation of the language of Baroque painting through his life, his realist style and leading works.
🔬Design:Araştırma Makalesi
📍Scope:2010 Verileri
⚙️Variables:Caravaggio · Rönesans · Gerçekçilik

Abstract

The year 2010, was the 400th anniversary of the death of Italian painter, Michelangelo Merisi da Caravaggio (1571-1610). The Caravaggio exhibitions held in Italy, during the year 2010 have brought again the artist’s life and works to the art history media. This article contains a discussion of Caravaggio’s contribution to the formation of the language of Baroque painting through his life, his realist style and leading works.

Özet

2010 yılı, İtalyan ressam Michelangelo Merisi da Caravaggio’nun (1571-1610), Porto Ercole’deki ölümünün 400. yıldönümüydü. 2010 yılında, İtalya’da düzenlenen Caravaggio sergileri, sanatçının yaşamı ve eserlerini yeniden gündeme getirdi. Bu makalenin amacı, Caravaggio’nun yaşamı ve önemli eserleri üzerinden sanatçının gerçekçi üslubunun Barok resim sanatının görsel dilinin oluşmasına yaptığı katkıları tartışmaktır.

🔖

Cite This Article

Papila, A. (2013). The Life And The Important Works Of Caravaggio That Participated Forming The Language Of Baroque Painting. Sanat Yazıları, Sayı: 25-26, 25–42. https://ajindex.com/articles/1305376

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (23)

  1. Alberge, D. (2011). Unknown Caravaggio painting unearthed in Britain, guardian.co.uk, Sunday 19 June, 2011, 19.17 BST.
  2. Caravaggio (2010). Exhibition at the Scuderie del Quirinale, Ed.Claudio Strinati, Roma.
  3. Coliva, A. (2010). Caravaggio a Roma (in Rome), Gebart S.p.A, Roma.
  4. Coliva, A. Barcesi, S. Minozzi, M. (2010). The Galleria Borghese, The Masterpieces, Roma, Scala Group.
  5. Gombrich, E.H. (1998). Gombrich on the Renaissance,Volume 1: Norm and Form, Londra, Phaidon Press Ltd.
  6. Hauser, A. (2005). Rönesans Döneminde Sanatçının Toplumsa Konumu, Rönesans’ın Serüveni, YKY, İstanbul.
  7. Honour, H.,Fleming, J. (1995). A World History of Art, Londra.
  8. Lambert, G. (2010). Caravaggio, Köln, Taschen.
  9. Moir, A. (1989). Caravaggio, New York, Harry N. Abrams Yay.
  10. Murray, L. (1995). The High Renaissance and Mannerism, Londra,Thames&Hudson.
  11. Panofsky, E. (2005). “Rönesans”: Kendini Tanımlamak mı, Kendini Tanımak mı? Rönesans’ın Serüveni, YKY, İstanbul.
  12. Papila, A.(2008). “Rubens’in Resimleri Üzerinden, Barok Dönem Avrupasının SosyoPolitik Bir Analizi”, Sanat Yazıları 18, s.79-92, Ankara.
  13. Pevsner, N. (2005). Rönesans ve Manierizm, Rönesans’ın Serüveni, İstanbul, YKY
  14. Stork, David, G.(2003). “Color and Illumination in the Hockney Theory: A Critical Evaluation” The Eleventh Color Imaging Conference, s-11-15, Scottsdale, Arizona, 2003.
  15. Wilson-Smith T. (1998). Caravaggio, Phaidon Press, Londra, 1998.
  16. http://www.caravaggio.com/.
  17. http://www.mhest.com.spotlight/galileo/articles/UseOfOpticsByRenaissanceArtists.
  18. pdf. http://cgfa.acropolisinc.com/caravagg/index.html. http://www.bc.edu/bc_org/avp/cas/his/CoreArt/art/bar_cvggo_bach.html. http://edoc.biblhertz.it/preprints/RJ
  19. b/Sickel_Caravaggio/Sickel_Caravaggio.pdf. http://www.hort.purdue.edu/newcrop/caravaggio/Caravaggio1.pdf, 19 Mayıs 2011, s:12:04. http://www.guardian.co.uk/culture/2005/feb/17/3/print.
  20. http://www.physorg.com/news155889108.html (09.08.2011: 13:21). http://www.thais.it/speciali/Caravaggio/Vita.pdf (27.02.2012, 15:28). http://www.restaurabr.org/arc/arc03pdf/07_PhoebeDent.pdf.
  21. Hauser, A. (2005). Rönesans Döneminde Sanatçının Toplumsa Konumu, Rönesans’ın Serüveni, YKY, İstanbul.
  22. Honour, H.,Fleming, J. (1995). A World History of Art, Londra.
  23. Panofsky, E. (2005). “Rönesans”: Kendini Tanımlamak mı, Kendini Tanımak mı? Rönesans’ın Serüveni, YKY, İstanbul.