Journals / Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi / 2026 / Cilt: 14 Sayı: 2

WHO OWNS LABOR? ALIENATION AND ANONYMITY IN SOCIAL MEDIA CULTURE IN THE FOOTSTEPS OF MARX AND TAYLOR

EMEĞİN SAHİBİ KİM? MARX VE TAYLOR’UN İZİNDE SOSYAL MEDYA KÜLTÜRÜNDE YABANCILAŞMA VE ANONİMLEŞME

Pages
1602–1633
Publication Date
2026-10-01
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

By reframing digital labor through the concept of anonymization, the article seeks to contribute to debates in communication studies on labor, ownership, visibility, and subjectivity in contemporary digital culture.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:In the contemporary regime of platform capitalism, labor is no longer only commodified; it is also increasingly rendered untraceable, detached from authorship, and displaced from historical visibility.
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Key Findings & Data:In this framework, anonymization is conceptualized as an expanded form of alienation in which labor is separated not only from its product, process, social relations, and human essence, but also from the visibility, recognizability, and historical trace of the producer.
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Conclusion & Impact:By reframing digital labor through the concept of anonymization, the article seeks to contribute to debates in communication studies on labor, ownership, visibility, and subjectivity in contemporary digital culture.
🔬Design:Teorik Makale
📍Scope:Comprehensive Sample
⚙️Variables:Platform Kapitalizmi · Algoritmik Yönetim · Anonimleştirme

Abstract

In the contemporary regime of platform capitalism, labor is no longer only commodified; it is also increasingly rendered untraceable, detached from authorship, and displaced from historical visibility. Drawing on Marx’s theory of alienation and Taylor’s principles of scientific management, this article argues that digital platform economies produce a further transformation in labor relations: the systematic anonymization of the producing subject. In this framework, anonymization is conceptualized as an expanded form of alienation in which labor is separated not only from its product, process, social relations, and human essence, but also from the visibility, recognizability, and historical trace of the producer. The article is primarily theoretical in scope and develops this argument through a critical reading of digital labor, platform capitalism, and algorithmic management literature. To support the conceptual discussion, the study also refers to limited digital observations drawn from circulating social media trends on Instagram and TikTok, using them as illustrative cases rather than generalizable empirical evidence. These examples are employed to show how authorship becomes blurred, attribution chains weaken, and labor is absorbed into platform-centered circuits of visibility and value extraction. In this sense, anonymization is discussed not as an incidental outcome of digital circulation, but as a structural logic of platform-based production. By reframing digital labor through the concept of anonymization, the article seeks to contribute to debates in communication studies on labor, ownership, visibility, and subjectivity in contemporary digital culture.

Özet

Çağdaş platform kapitalizmi rejiminde emek yalnızca metalaştırılan bir faaliyet olmaktan çıkmakta; aynı zamanda yazarlıkla kurduğu bağdan, izlenebilirliğinden ve tarihsel görünürlüğünden de giderek koparılmaktadır. Marx’ın yabancılaşma kuramı ile Taylor’ın bilimsel yönetim anlayışını birlikte düşünen bu makale, dijital platform ekonomilerinde emek ilişkilerinin yeni bir dönüşüme uğradığını ileri sürmektedir: üretici öznenin sistematik biçimde anonimleştirilmesi. Bu çerçevede anonimleştirme, emeğin yalnızca ürününden, üretim sürecinden, toplumsal ilişkilerinden ve insani özünden değil; aynı zamanda üreticinin görünürlüğünden, tanınabilirliğinden ve tarihsel izinden de koparıldığı genişlemiş bir yabancılaşma biçimi olarak kavramsallaştırılmaktadır. Çalışma esas olarak kuramsal bir nitelik taşımakta; dijital emek, platform kapitalizmi ve algoritmik yönetim literatürüne yönelik eleştirel bir okuma üzerinden bu kavramsal çerçeveyi geliştirmektedir. Kavramsal tartışmayı desteklemek amacıyla ise Instagram ve TikTok’ta dolaşıma giren bazı sosyal medya trendlerine ilişkin sınırlı dijital gözlemlerden yararlanılmakta; bu örnekler genellenebilir ampirik kanıtlar olarak değil, tartışmayı görünür kılan açıklayıcı vakalar olarak ele alınmaktadır. Söz konusu örnekler, yazarlığın nasıl belirsizleştiğini, atıf zincirlerinin nasıl zayıfladığını ve emeğin görünürlük ile değer üretiminin platform merkezli dolaşımına nasıl eklemlendiğini göstermektedir. Bu doğrultuda anonimleştirme, dijital dolaşımın rastlantısal bir sonucu olarak değil, platform temelli üretimin yapısal bir mantığı olarak tartışılmaktadır. Makale, dijital emeği anonimleştirme kavramı üzerinden yeniden düşünerek iletişim çalışmaları literatürüne emek, mülkiyet, görünürlük ve öznellik ilişkileri bakımından katkı sunmayı amaçlamaktadır.

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Cite This Article

Gümüşboğa, Y. (2026). WHO OWNS LABOR? ALIENATION AND ANONYMITY IN SOCIAL MEDIA CULTURE IN THE FOOTSTEPS OF MARX AND TAYLOR. Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi, Cilt: 14 Sayı: 2, 1602–1633. https://doi.org/10.19145/e-gifder.1858786

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