Journals / Bilig / 2018 / Sayı: 87

Denise Gill, Melancholic Modalities: Affect, Islam and Turkish Classical Musicians, New York 2017: Oxford University Press

Journal
Bilig
Pages
239–246
Publication Date
2018-10-30
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

These caveats serve to prepare readers for the subsequent analysis occasionally becoming dense and complex in its novelties related to methodology and theoretical argument.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Melancholic Modalities: Affect, Islam and Turkish Classical Musicians is the first and only truly ethnographic book on Turkish classical musicians in contemporary Turkey.
📊
Key Findings & Data:An ethnomusicologist based in the US, Denise Gill is a kanun player who has been a student of master virtuoso on the ud, Necati Çelik, since 2004.
💡
Conclusion & Impact:These caveats serve to prepare readers for the subsequent analysis occasionally becoming dense and complex in its novelties related to methodology and theoretical argument.
🔬Design:Research Article
📍Scope:2004 Verileri
⚙️Variables:Melancholic Modalities · Classical Musicians · Islam and Turkish Classical Musicians

Abstract

Melancholic Modalities: Affect, Islam and Turkish Classical Musicians is the first and only truly ethnographic book on Turkish classical musicians in contemporary Turkey. An ethnomusicologist based in the US, Denise Gill is a kanun player who has been a student of master virtuoso on the ud, Necati Çelik, since 2004. The book is born of extensive firsthand archival research and ethnographic fieldwork carried out in Istanbul, Ankara, İzmir, and Konya in 2004–2005, 2006, 2007–2009, 2011, 2013, and 2014. The author opens the preface with several critical concerns regarding the methodology and theoretical lines of the book. These caveats serve to prepare readers for the subsequent analysis occasionally becoming dense and complex in its novelties related to methodology and theoretical argument.

Özet

Melancholic Modalities: Affect, Islam and Turkish Classical Musicians is the first and only truly ethnographic book on Turkish classical musicians in contemporary Turkey. An ethnomusicologist based in the US, Denise Gill is a kanun player who has been a student of master virtuoso on the ud, Necati Çelik, since 2004. The book is born of extensive firsthand archival research and ethnographic fieldwork carried out in Istanbul, Ankara, İzmir, and Konya in 2004–2005, 2006, 2007–2009, 2011, 2013, and 2014. The author opens the preface with several critical concerns regarding the methodology and theoretical lines of the book. These caveats serve to prepare readers for the subsequent analysis occasionally becoming dense and complex in its novelties related to methodology and theoretical argument.

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Cite This Article

Değirmenci, K. (2018). Denise Gill, Melancholic Modalities: Affect, Islam and Turkish Classical Musicians, New York 2017: Oxford University Press. Bilig, Sayı: 87, 239–246. https://ajindex.com/articles/109678

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References (1)

  1. Denise Gill, Melancholic Modalities: Affect, Islam and Turkish Classical Musicians, New York 2017: Oxford University Press.