SONG CYCLES IN THE ALTAI POETRY BASED ON THE IDEOLOGICAL AND THEMATIC UNITY AND FIGURATIVE

Abstract

In the late XIX - early XX century, the concept of the cycle and cyclization are firmly in the literary and critical consciousness as a category of art. Cycles appeared in the second half of the XX century in all Turkic-speaking literatures, particularly in the poetry of the peoples of Siberia. For example, in the literature Khakassian M.Chebodaev cycle of poems "From Moscow's notebook", "Yuzhsib", "From the Mongolian notebook", in Tuvan "On the sister republic of Bulgaria" S.Tamba-Lyundupa, "Our friends" S.Saryg-Oola; in the Altai - poems about Motherland, daughter L.Kokyshev, "Dreams of a young heart" P.Samyk and others. Some cycles of poetry by various regional topics resonate with each other. For example, sadness, bitterness associated with the loss of the mother, brings together two poets Tatar poet S.Hakim "In memory of the mother" and B.Ukachin "Twenty songs of love and grief of the mother's heart", a cycle of poems R.Gataullin "Tatar poets in Europe" , M.Aglyamov "The fate of Victor Jara close with verses B.Surkashev "tanish keberler ", "Ulu poetterdin salymdary kereginde ", they all care about the fate of fellow writers. The cycle of "Twenty songs of love and sorrow of the mother's heart" is dedicated to the memory of the mother. The cycle consists of twenty poems, and each of them is intertwined with the other, complementing each other. The lyrical hero treats confession to his mother, to her memory. Subject cyclic poems Altai most diverse contemporary poetry - is the theme of love, home, search for happiness, the majesty of nature, the fate of great men, anguish, bitterness, etc. This paper analyzes the cycles of poems by poets of the Altai: L.Kokyshev, A.Adarov, B.Bedyurov, B.Surkashev, B.Ukachin.