Dergiler / Divan Edebiyatı Araştırmaları Dergisi / 2017 / Cilt: 2 - Sayı: 19
Klasik Türk Şiirinde Menekşe İle İlgili Benzetmelerin Kökeni Üzerine
- Sayfa
- 433–450
- DOI
- —
Özet
Klasik Türk şiirinin mekân tasvirlerinde cennet imgesi önemli bir yere sahiptir. Bu şiir anlayışında sevgili ideal of places in classical Turkish poetry. In this perception of insan güzelliğin sembolüdür ve ideal mekân güzelliğinin poetry, the beloved ideal person is the symbol of beauty and sembolü olan cennetle birlikte ele alınır. Gülün cennet çiçeği it is addressed together with heaven, which is the symbol of olması gibi, klasik Türk şiirinde cenneti andıran bahçe tasthe beauty of an ideal place. Rose is in the center of heavirlerinde de merkezde gül yer alır. Gül her ne kadar bu venly garden depictions in classical Turkish poetry, so it is idealize bahçenin en temel çiçeği olsa da diğer çiçeklerle the flower of heaven. Although rose has been the main floberaber menekşe de kendine yer bulmuş hatta kimi şiirlerin wer of this idealized garden, together with other flowers, redifi olmuştur. violet has also found its place and has even become the redif Menekşe klasik Türk şiirinde en çok âşıkla ilgili benzetmelerde kullanılmış ve koku, renk ve şekil özellikleri ile yer almıştır. Siyaha yakın mor rengi saç, ben, hat (tüy) ve mate-singers in classical Turkish poetry, and it has taken roles min benzetileni olmasının, yere yakınlığı ve boynunun eğri such as scent, color and shape characteristics. Because of oluşu tevazu ve itaatle bağdaştırılmasının nedeni olmuştur. its purple color close to black, it has been used in metaphors Bu çalışmada söz konusu benzerliklerin mitolojik sebeplerelated to hair, spots on body, feather and mourning, and rinin araştırılması amaçlamaktadır. Aslen bir Frigya tanrı-because it is close to the ground and it has a bent neck, it çası olan Kybele ve Attis anlatısının Yunan, Roma ve Sicilhas been associated with humbleness and obedience. The ya varyantları bir araya getirildiğinde klasik şiirde menekşe aim of this research is to find the mythological causes of the benzetilenlerin önemli bir kısmı ile örtüştüğü durumlara related similarities. When the narration of Cybele and dikkat çekilecektir
Abstract
The image of heaven has an important part in depictions of places in classical Turkish poetry. In this perception of poetry, the beloved ideal person is the symbol of beauty and it is addressed together with heaven, which is the symbol of the beauty of an ideal place. Rose is in the center of heavenly garden depictions in classical Turkish poetry, so it is the flower of heaven. Although rose has been the main flower of this idealized garden, together with other flowers, violet has also found its place and has even become the redif (repeated voice) of some poems. Violet has mostly been used with metaphors about poetsingers in classical Turkish poetry, and it has taken roles such as scent, color and shape characteristics. Because of its purple color close to black, it has been used in metaphors related to hair, spots on body, feather and mourning, and because it is close to the ground and it has a bent neck, it has been associated with humbleness and obedience. The aim of this research is to find the mythological causes of the related similarities. When the narration of Cybele and Attis, originally a Phrygian goddess, is combined with its Greek, Roman and Sicilian variants, there will be more emphasize on situations in which a considerable part of violet metaphors coincides in classical poetry.