Dergiler / Journal of Design Planning and Aesthetics Research / 2022 / Cilt: 1 - Sayı: 2

Works of Art in the Turkish Grain Board (TMO) General Directorate Building

Sayfa
73–90
Yayın Tarihi
2022-11-05
DOI
—
🏛️Bu makalenin bibliyografik verileri ve tam metin bağlantısı DergiPark üzerinden sağlanmıştır.
DergiPark Kaydı ↗
✨

Yapay Zeka Hızlı Bakış & Çıkarımlar

AI Insight
⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

Moreover, after this sculptor competition, TMO established a plastic arts application center in 1989.

📌 3 Maddede Bu Makale

🎯
Amaç & Hipotez:Turkish Grain Board (TMO) General Directorate Building was designed by Vedat Özsan, Cengiz Bektaş ve Oral Vural (Özsan-Bektaş-Vural Architects) in 1964 and constructed between 1964 and 1968 in Ankara.
📊
Temel Bulgular & Veri:One of the significant aspects of the building is the involvement of works of art.
💡
Sonuç & Katkı:Moreover, after this sculptor competition, TMO established a plastic arts application center in 1989.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Art and architecture synthesis · modern architecture · Turkish Grain Board (TMO)

Abstract

Turkish Grain Board (TMO) General Directorate Building was designed by Vedat Özsan, Cengiz Bektaş ve Oral Vural (Özsan-Bektaş-Vural Architects) in 1964 and constructed between 1964 and 1968 in Ankara. One of the significant aspects of the building is the involvement of works of art. One percent of the building cost was allocated to the works of art. Moreover, the architects get inspired by some artists during the building design. Such kind of art and architecture synthesis was common in modern architecture between 1950 and 1980 both in Turkey and in the world. However, this aspect of the TMO building is not known enough in the literature. The aim of this study is to analyze the works of art in TMO General Directorate building in terms of art and architecture synthesis. The research method was mainly based on the literature about art and architecture synthesis, individual writings of architect Cengiz Bektaş and some artists (Bedri Rahmi Eyüboğlu, Burhan Alkar etc.) and the analysis of the building on site. These works of art vary from wall ceramic to stained glass, and after 1988, a monumental sculpture was added to the building via competition. Moreover, after this sculptor competition, TMO established a plastic arts application center in 1989.

🔖

Bu Makaleye Atıf Yap

ÖZYILDIRAN, G. (2022). Works of Art in the Turkish Grain Board (TMO) General Directorate Building. Journal of Design Planning and Aesthetics Research, Cilt: 1 - Sayı: 2, 73–90. https://ajindex.com/articles/853824

📄 Tam Metin PDF Okuyucu

📄

PDF görüntüleyici hazırlanıyor...

Kaynakça (15)

  1. Bakla, Erdinç (2022) Pinterest collection, https://tr.pinterest.com/ebakla/
  2. Burhan Alkar Aterlier (2022). http://www.burhanalkar.net/
  3. Bildirici, Faruk (2011). Turan Erol (interviews publishes as series of newspaper column). Hürriyet Newspaper, 27th November 2011. https://farukbildirici.com/turan-erol/
  4. Bonatz, Paul, Fatih Uran (1965). Büyük Efes Oteli. Arkitekt, no.1965-01(318), pp.5-13.
  5. Bozdoğan, Sibel. (2008). Haluk Baysal-Melih Birsel Kitabı: Modern Mimarlığımızın Ustalarına Gecikmiş Bir İthaf. Mimarlık, no.340. http://www.mimarlikdergisi.com/index.cfm?sayfa=mimarlik&dergisayi=290&recid=1708
  6. Büyük Efes Sanat (2022). Permanent Exhibitions. Contemporary Art Collection in the Swissotel Büyük Efes İzmir. http://www.buyukefessanat.com/tr/buyuk-efes-sanat/buyuk-efes-koleksiyonu/daimi-sergi_16.html
  7. Can, Özgür Ceren (2018). Ankara’da Kamusal Alanlardaki Seramik Duvar Panoları [Unpublished master’s thesis]. Hacettepe University, Ankara.
  8. Erbay Aslıtürk, Gül (2014). Respect The Master: Erdoğan Ersen (A Monographic Conversation). İdil Sanat ve Dil Dergisi, vol.3, no.12, pp.159-166.
  9. Erkol, İdil. (2009). Mimarlık ve sanat birlikteliği. Utarit İzgi ve Türkiye’de Modern Mimarlık [Unpublished master’s thesis]. İstanbul Technical University, İstanbul, pp.18-32.
  10. Galatali, Atilla (1972). Vallauris Uluslararası 3. Seramik Biennale'i. Arkitekt, 1972 no: 1972-03 (347) pp. 109-110.
  11. Özcan, Ümit Niyazi (2009). Heykeltraş Burhan Alkar [Unpublished master’s thesis]. Gazi University, Ankara.
  12. Özsan, Vedat, Oral Vural, Cengiz Bektaş (1968). Ankara Toprak Mahsulleri Ofisi Genel Müdürlük Binası. Mimarlık, no:61, pp.37-42.
  13. Özyıldıran, Güler (2021). Anıt Heykel ve Mimarlık: Yavuz Görey'in Burdur Anıtları. Akdeniz Sanat, vol.15, no.27, pp.39-62. https://doi.org/10.48069/akdenizsanat.745806
  14. SALT (2020). Cengiz Bektaş ile Mimari Üretimleri Üzerine Söyleşi (Interviews with Cengiz Bektaş between 2019 October and 2020 February). Kübra Yeter (Ed.). İstanbul: SALT / Garanti Kültür A.Ş. https://saltonline.org/media/files/cengiz_bektas_010620_scrd.pdf SALT Research (2019-a). Archive of Cengiz Bektaş: Turkish Grain Board General Directorate Building, 1964-1966. https://archives.saltresearch.org/handle/123456789/320 SALT Research (2019-b). Archive of Cengiz Bektaş: Turkish Republic Embassy in Bonn, 1964-1966. https://archives.saltresearch.org/handle/123456789/257
  15. SALT Research (2021). Archive of Cengiz Bektaş: Denizli Halil Bektaş Primary School. https://archives.saltresearch.org/handle/123456789/289