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Dergiler / Cumhuriyet Science Journal / 2015 / Cilt: 36 - Sayı: 3

Artistic Weakness: A Thematic Analysis of D. H. Lawrence’s St Mawr

Pyeaam ABBASI
Roohollah DATLİ BEİGİ
Sayfa
1972–1981
Yayın Tarihi
2015-05-13
DOI
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St Mawr, accordingly, seems an unfinished work overloaded with philosophical ideas rather than a multi-layered text created by the visionary power of the imagination.

📌 3 Maddede Bu Makale

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Amaç & Hipotez:Lawrence’s St Mawr (1925) is known as a modernist example of an open-ended and inconclusive work of art.
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Temel Bulgular & Veri:The novella is abound with ideological dualities such as nature vs. civilization; man vs. woman, and body vs. spirit that stem from and make the core of the writer’s personal, philosophical and political beliefs.
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Sonuç & Katkı:St Mawr, accordingly, seems an unfinished work overloaded with philosophical ideas rather than a multi-layered text created by the visionary power of the imagination.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Lawrence · St Mawr · Resolution

Abstract

Abstract. D. H. Lawrence’s St Mawr (1925) is known as a modernist example of an open-ended and inconclusive work of art. The novella is abound with ideological dualities such as nature vs. civilization; man vs. woman, and body vs. spirit that stem from and make the core of the writer’s personal, philosophical and political beliefs. This article argues that the open-endedness of the novella is more a sign of Lawrence’s artistic weakness at handling an overload of symbols and ideas rather than a modernist element enriching the novella with different layers of meaning open to different interpretations. It is argued that, approaching the end, the reader feels that he is entrapped within a complex web of ideas for which Lawrence’s attempt to reach a resolution proves futile. Lawrence’s artistic weakness shows itself in his uncertainty regarding a resolution for the complicated dualities and mysterious symbols he introduces in his novella. St Mawr, accordingly, seems an unfinished work overloaded with philosophical ideas rather than a multi-layered text created by the visionary power of the imagination.

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Bu Makaleye Atıf Yap

ABBASI, P., BEİGİ, R. D. (2015). Artistic Weakness: A Thematic Analysis of D. H. Lawrence’s St Mawr. Cumhuriyet Science Journal, Cilt: 36 - Sayı: 3, 1972–1981. https://ajindex.com/articles/714733

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Kaynakça (8)

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  3. Goodheart, E. (1963). D. H. Lawrence: Artist and Rebel. Chicago: University of Chicago Press.
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  7. Moore, H. T. (Ed.). (1962). The Collected Letters of D. H. Lawrence. London: Heinmann. Pritchard, R. E. (1971). D. H. Lawrence: Body of Darkness. London: Hutchinson University Library. Sanders, S. (1973). D. H. Lawrence: The World of the Five Major Novels. New York: The Viking Press.
  8. Schwarz, D. R. (2005). Reading the Modern British and Irish Novel 1890-1930. Malden: Blackwell Publishing. Wilson, C. (1976). The Strength to Dream: Literature and the Imagination. London: Abacus.