Dergiler / Frankofoni / 2007 / Cilt: 0 - Sayı: 19

Baudelaire'nin Kaynakları: Hoffmann ile Diderot, Palyaço ile Rahibe-I

Sur Quelques Sources de Baudelaire: Hoffmann et Diderot,le Clown et la Religieuse-I

Sayfa
15–25
Yayın Tarihi
2022-10-18
DOI
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⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

The former principle supports poetic form while the latter transforms itself into a concept and a view of the world that harbors the notion of “modernité”.

📌 3 Maddede Bu Makale

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Amaç & Hipotez:Hoffmann and Diderot occupy a very special place among Baudelaire’s sources because of their direct influence on the formation of the essential categories of poetics in Les Fleurs du Mal.
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Temel Bulgular & Veri:In La Princesse Brambilla, Baudelaire discovered the principle of “double: and in La Religieuse the principle of “mal”.
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Sonuç & Katkı:The former principle supports poetic form while the latter transforms itself into a concept and a view of the world that harbors the notion of “modernité”.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Alan Parametreleri

Abstract

Hoffmann and Diderot occupy a very special place among Baudelaire’s sources because of their direct influence on the formation of the essential categories of poetics in Les Fleurs du Mal. In La Princesse Brambilla, Baudelaire discovered the principle of “double: and in La Religieuse the principle of “mal”. The former principle supports poetic form while the latter transforms itself into a concept and a view of the world that harbors the notion of “modernité”.

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Bu Makaleye Atıf Yap

ÖZCAN, M. E. (2022). Baudelaire'nin Kaynakları: Hoffmann ile Diderot, Palyaço ile Rahibe-I. Frankofoni, Cilt: 0 - Sayı: 19, 15–25. https://ajindex.com/articles/518267

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