Focusing on the innovation in the representation of the Lamentation, this study aims to present an iconographic and semiological dual reading in the context of an analysis of the layers of meaning in the scene.
📌 3 Maddede Bu Makale
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Amaç & Hipotez:The narrative of the Lamentation over Dead Christ, recounted specifically in the late medieval religious literature and not mentioned in canonical Gospels, finds its most striking visual equivalent in Giotto’s frescoes in the Arena Chapel (1304-6), as the precursor of a new mode of representation in Western art.
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Temel Bulgular & Veri:The artist’s concept of depicting the subject announces a break from the preceding canon.
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Sonuç & Katkı:Focusing on the innovation in the representation of the Lamentation, this study aims to present an iconographic and semiological dual reading in the context of an analysis of the layers of meaning in the scene.
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Alan Parametreleri
Abstract
The narrative of the Lamentation over Dead Christ, recounted specifically in the late medieval religious literature and not mentioned in canonical Gospels, finds its most striking visual equivalent in Giotto’s frescoes in the Arena Chapel (1304-6), as the precursor of a new mode of representation in Western art. The artist’s concept of depicting the subject announces a break from the preceding canon. Focusing on the innovation in the representation of the Lamentation, this study aims to present an iconographic and semiological dual reading in the context of an analysis of the layers of meaning in the scene.
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Bu Makaleye Atıf Yap
Öztokat, N., Yüzgüller, S. (2014). Giotto’nun Ağıt Freskinin İkonografik ve Göstergebilimsel Okuması. Sanat Tarihi Yıllığı, Sayı: 23, 109–133. https://ajindex.com/articles/237259