Dergiler / Nubihar Akademi / 2024 / Sayı: 22

The Role of Talabani Takya in the Development of Kurdish (Maqamat) Melodies

Rizgar Cabbari(Selahaddin University)0009-0008-5227-9468
Sayfa
225–238
Yayın Tarihi
2024-12-31
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⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

One of the greatest artists whose artistic career began in Takya was Ali Mardan

📌 3 Maddede Bu Makale

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Amaç & Hipotez:Talabani’s Takya, later named the Majidiyah Mosque, was established in 1771 AD in Kirkuk.
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Temel Bulgular & Veri:Despite being primarily a mosque, the Takya also functioned as a classroom for Shari'ah studies, a spiritual place for zikr (remembrance), a gathering space for writers and poets, a guest house for the poor and travelers, and a school focused on Eastern melodies, with a special emphasis on Kurdish maqams.
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Sonuç & Katkı:One of the greatest artists whose artistic career began in Takya was Ali Mardan
🔬Tür:Araştırma Makalesi
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Talabani’s Takya · Kirkuk · Kurdish melodies

Özet

Talabani’s Takya, later named the Majidiyah Mosque, was established in 1771 AD in Kirkuk. Despite being primarily a mosque, the Takya also functioned as a classroom for Shari'ah studies, a spiritual place for zikr (remembrance), a gathering space for writers and poets, a guest house for the poor and travelers, and a school focused on Eastern melodies, with a special emphasis on Kurdish maqams. This Takya played a major role in the development of Kurdish musical traditions. Since the time of Sheikh Abdurrahman Khalis, Takya has become a center for gathering Maqamat artists and enthusiasts to learn the art of Maqamat. Therefore, many great artists have moved there to showcase their artistic level and teach students. Among the great Kurdish artists who visited Takya was Sayyid Ali Asghar Kurdistani. One of the greatest artists whose artistic career began in Takya was Ali Mardan

Abstract

Talabani’s Takya, later named the Majidiyah Mosque, was established in 1771 AD in Kirkuk. Despite being primarily a mosque, the Takya also functioned as a classroom for Shari'ah studies, a spiritual place for zikr (remembrance), a gathering space for writers and poets, a guest house for the poor and travelers, and a school focused on Eastern melodies, with a special emphasis on Kurdish maqams. This Takya played a major role in the development of Kurdish musical traditions. Since the time of Sheikh Abdurrahman Khalis, Takya has become a center for gathering Maqamat artists and enthusiasts to learn the art of Maqamat. Therefore, many great artists have moved there to showcase their artistic level and teach students. Among the great Kurdish artists who visited Takya was Sayyid Ali Asghar Kurdistani. One of the greatest artists whose artistic career began in Takya was Ali Mardan

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Bu Makaleye Atıf Yap

Cabbari, R. (2024). The Role of Talabani Takya in the Development of Kurdish (Maqamat) Melodies. Nubihar Akademi, Sayı: 22, 225–238. https://doi.org/10.55253/20214.nubihar.1582132

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Kaynakça (16)

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