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Dergiler / Musicologist / 2026 / Volume: 9 Issue: 2

Analysis of the Melodies in Asan Refatov’s Qırım Tatar Yırları in terms of Genre, Structure and Rhythm

Elvina Seven(SIVAS CUMHURIYET UNIVERSITY)0000-0001-9376-4269
Mustafa Hilmi Bulut(SIVAS CUMHURIYET UNIVERSITY)0000-0002-8231-6214
Sayfa
—
Yayın Tarihi
2025-12-30
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⚡ TL;DR(1 Cümlede Hızlı Çıkarım)

This research is important for the preservation, survival and dissemination of Crimean Tatar folk music.

📌 3 Maddede Bu Makale

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Amaç & Hipotez:In this research, the melodies in Asan Refatov’s book of folk melodies called Qırım Tatar Yırları were analyzed in terms of genre, structure and rhythm.
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Temel Bulgular & Veri:In addition, information about Crimean Tatar folk music, Asan Refatov’s life and the writing of the book was collected.
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Sonuç & Katkı:This research is important for the preservation, survival and dissemination of Crimean Tatar folk music.
🔬Tür:Research Article
📍Kapsam:Genişletilmiş Akademik Örneklem
⚙️Değişkenler:Crimean Tatar · folk music · musical analysis

Abstract

In this research, the melodies in Asan Refatov’s book of folk melodies called Qırım Tatar Yırları were analyzed in terms of genre, structure and rhythm. In addition, information about Crimean Tatar folk music, Asan Refatov’s life and the writing of the book was collected. The aim of the research is to determine the structure, genre and rhythm characteristics of the melodies in the book titled Qırım Tatar Yırları. In addition, to collect and share information about Asan Refatov’s life and the emergence of the book. Document analysis, one of the qualitative research methods, was used as a method in the research. In addition, musical analysis method was applied to examine the melodies in the book. This research is important for the preservation, survival and dissemination of Crimean Tatar folk music.

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Bu Makaleye Atıf Yap

Seven, E., Bulut, M. H. (2025). Analysis of the Melodies in Asan Refatov’s Qırım Tatar Yırları in terms of Genre, Structure and Rhythm. Musicologist, Volume: 9 Issue: 2. https://doi.org/10.33906/musicologist.1708207

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Kaynakça (12)

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  2. Bodaninskiy, Usein. (2019). “Etnograficheskaya ekspeditsiya” (Ethnographic expedition). Sobraniye sochineniy. Vol 1. Nauchnoe naslediye, Hakimov R.: 119-122. Kazan: Institut istorii im. Sh. Marjani.
  3. Izidinova, Sevile. (1995). O natsionalnoy muzyke krymskih tatar (On the National Music of the Crimean Tatars). Sevastopol: EKOSI-Gidrofizika.
  4. Kadyrova, Maya. (2018). “Ladovye i ritmicheskie osobennosti krymskotatarskoj narodnoj muzyki” (Modal and rhythmic features of Crimean Tatar folk music). Gumanitarnaya paradigma. 4(7): 120-131.
  5. Mladenova, Tetyana. (2021). “Crimea in the dialogue of cultures “West-East” on the example of musical creativity” Thesis fort the degree of Doctor of philosophy, Ivan Franko National University of Lviv, State higher educational institution “Vasyl Stefanyk Prykarpathian National University”, Ivano-Frankivsk: Ukraine.
  6. Sherfedinov, Yaya. (1988). “Qırımtatar muzıkası ve milliy çalğı aletleri” (Crimean Tatar music and national musical instruments). Yıldız. 6: 3-10.
  7. Refat, Ayshe. (1989). “Kureş meydanında” (In the Arena of Struggle). Yıldız. 6: 104-116.
  8. Fazylov, Riza and Nagayev, Safter. (2001). “Qırımtatar edebiyatının tarihi” (History of Crimean Tatar literature). Simferopol: Qırım devlet oquv-pedagogika neşriyatı.
  9. Chalbash, Emil. (1969). ZHizn i tvorchestvo kompozitora Asana Refatova (The life and work of composer Asan Refatov). Moscow: ?.
  10. Refat, Asan. (1932). “Qьrьm Tatar Jьrlarь” (Crimean Tatar songs). Simferopol: Qьrьm Devlet Neşrijatь.
  11. Refatov, Asan. (2024). “Qırımtatar Musıqısını İlmiy Tedqiq” (A scientific study of Crimean Tatar music). Represovana muzyka Asana Refatova, Eski Yurtlı; Qalımtaylı: 18-24. Kyiv: TOV “Agenstvo “Ukrayina”.
  12. Crimean State Philharmonic Society. (2023). Crimean Tatar song and dance ensemble “Haytarma” of the Crimean State Philharmonic Society. Retrieved from https://krim-gf.ru/2023/04/24/