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Dergiler / RumeliDE Dil ve Edebiyat Araştırmaları Dergisi / 2024 / Sayı: 40

A Book Review of Lissette Lopez Szwydky and Glenn Jellenik’s Edited Collection Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century

Züleyha Çetiner-öktem(Ege Üniversitesi, Edebiyat Fakültesi, İngiliz Dili ve Edebiyatı Bölümü)0000-0001-7401-0437
Sayfa
1099–1105
Yayın Tarihi
2024-06-25
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As such, the books published in this series offer a rich and thought-provoking ground not only for scholars of adaptation studies but also for scholars of literary studies, cultural studies and film studies who seek fresh perspectives and like to think outside the box.

📌 3 Maddede Bu Makale

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Amaç & Hipotez:Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century is one of the latest additions to the Palgrave Studies in Adaptation and Visual Culture, an outstanding series dedicated to exploring new ways of reflecting on the dialogue between adaptation and visual culture.
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Temel Bulgular & Veri:With an underlying impulse to obliterate the unidirectional perception of adaptation as a derivative version of a source text, the series encompasses a broad range of media as symbolic spaces of multiplicity that generate connections and continuities between all forms of texts and narratives.
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Sonuç & Katkı:As such, the books published in this series offer a rich and thought-provoking ground not only for scholars of adaptation studies but also for scholars of literary studies, cultural studies and film studies who seek fresh perspectives and like to think outside the box.
🔬Tür:Kitap İncelemesi
📍Kapsam:2023 Verileri
⚙️Değişkenler:Lissette Lopez Szwydky · Glenn Jellenik · Collection Adaptation Before Cinema

Özet

Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century is one of the latest additions to the Palgrave Studies in Adaptation and Visual Culture, an outstanding series dedicated to exploring new ways of reflecting on the dialogue between adaptation and visual culture. With an underlying impulse to obliterate the unidirectional perception of adaptation as a derivative version of a source text, the series encompasses a broad range of media as symbolic spaces of multiplicity that generate connections and continuities between all forms of texts and narratives. Adaptations are treated as “complexly multiple” texts that are connected to “other pervasive plural forms” such as “sequels, series, genres, trilogies, authorial oeuvres, appropriations, remakes, reboots, cycles and franchises” (Szwydky & Jellenik, 2023, blurb). As such, the books published in this series offer a rich and thought-provoking ground not only for scholars of adaptation studies but also for scholars of literary studies, cultural studies and film studies who seek fresh perspectives and like to think outside the box.

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Bu Makaleye Atıf Yap

Çetiner-öktem, Z. (2024). A Book Review of Lissette Lopez Szwydky and Glenn Jellenik’s Edited Collection Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Sayı: 40, 1099–1105. https://doi.org/10.29000/rumelide.1503816

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Kaynakça (18)

  1. Barthes, R. (1977). Image-Music-Text (S. Heath, Trans.). Fontana Press.
  2. Bryan, E. (2023). The Making of Monsters: Thomas Potter Cooke and the Theatrical Debuts of Frankenstein and The Vampyre in the 1820s. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 182-211). Palgrave Macmillan.
  3. Caldwell, M. (2023). Poetry After Descartes: Henry More’s Adaptive Poetics. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 69-89). Palgrave Macmillan.
  4. Casey, J. (2023). Shakespeare, Fakespeare: Authorship by Any Other Name. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 112-133). Palgrave Macmillan.
  5. Elliott, K. (2020). Theorising Adaptation. Oxford: Oxford University Press.
  6. Figgins, K. L. (2023) Alice, Animals, and Adaptation: John Tenniel’s Influence on Wonderland and Its Early Adaptation History. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 261-282). Palgrave Macmillan.
  7. Gracia, D. (2023). Dante Gabriel Rossetti at the Intersection of Painting and Poetry. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 213-233). Palgrave Macmillan.
  8. Guyant, V. (2023). Shakespeare’s Adaptations of the Fae and a “Shrewd and Knavish Sprite” in A Midsummer Night’s Dream. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 137-153). Palgrave Macmillan.
  9. Hartl, A. (2023). History and/as Adaptation: MacBeth and the Rhizomatic Adaptation of History. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 91-111). Palgrave Macmillan.
  10. Hatipoğlu, G. (2024). Ocular Poetics of Wilkie Collins’s The Woman in White. Cankaya University Journal of Humanities and Social Sciences (Special Issue: Wilkie Collins), 21-31. https://doi.org/10.47777/cankujhss.1373096
  11. Hatipoğlu, G. (2023). Trauma of the Gaze in John Banville’s The Book of Evidence. Mediterranean Journal of Humanities, 13, 193-204. https://doi.org/10.13114/MJH.2023.600
  12. Jellenick, G. (2023). Adaptation as the Art Form of Democracy: Romanticism and the Rise of Novelization. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 49-68). Palgrave Macmillan.
  13. Morris Davis M. E. (2023). Markers of Class: The Antebellum Children’s Book Adaptations of The Lamplighter and Uncle Tom’s Cabin. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 235-259). Palgrave Macmillan.
  14. Noble, K. (2023). The Medea Network: Adapting Medea in Eighteenth-Century Theatre and Visual Culture. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 155-181). Palgrave Macmillan.
  15. Smith, M.A. (2023). A Classical Drama of Human Bondage: Recurrent Replications of Supplication, Appeals, and Social Justice Activism from Antiquity Through the Present. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 21-47). Palgrave Macmillan.
  16. Szwydky, L. L., & Jellenik, G. (Eds.). (2023). Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century. Palgrave Macmillan.
  17. Szwydky, L. L. (2023). CODA: Transmedia Cultural History, Convergence Culture, and the Future of Adaptation Studies. In L. L. Szwydky & G. Jellenik (Eds.), Adaptation Before Cinema: Literary and Visual Convergence from Antiquity Through the Nineteenth Century (pp. 283-303). Palgrave Macmillan.
  18. Welsh, J. M. (2013). Foreword: Adapting Cinema + History (= Cinematic History?). In L. Raw & D. Ersin Tutan (Eds.), The Adaptation of History: Essays on Ways of Telling the Past (pp. 1-6). McFarland