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AI InsightBir orkestrada şeften sonra en yetkili müzisyen olan başkemancı, sahip olduğu sorumluluklar
📌 3 Maddede Bu Makale
Özet
Bir orkestrada şeften sonra en yetkili müzisyen olan başkemancı, sahip olduğu sorumluluklar
Abstract
A concertmaster, as the musician that comes second to the conductor in an orchestra, has a very important role in the functioning and the success of that orchestra. The number of printed academic resources about concertmastership in our country is quite scarce. The aim of this article is to provide a useful resource for performers on concertmastership duty and in relation, the violin solos in Rimsky-Korsakov’s Scheherazade Symphonic Suite. Literature review on this subject included the detailed examination of the articles, books and written sources on the internet. The history of concertmastership and the duties of the concertmaster were discussed; information on Rimsky-Korsakov’s life and Scheherazade Symphonic Suite were given. Ideas and suggestions on fingering, bow selection and musical expression were presented on the violin solos of Scheherazade, which is one of the most important works for a concertmaster within the orchestral repertoire. As a result of this study, concertmaster’s duties, as playing the violin solos in the work to be performed, conveying the musical ideas of the conductor to the orchestra, writing the fingerings and the bows for the string sections and coordinating the working arrangement of the orchestra were determined. The performance of the violin solos, which is one of the most important of these duties, requires great mastery on the instrument and the work to be performed. Trying out various alternatives for the performance of the Scheherazade violin solos will help a concertmaster reach the desired sonority.