Journals / Güzel Sanatlar Enstitüsü Dergisi / 2015 / Sayı: 34
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- 2015 · Sayı: 34
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Abstract
relation is scrutinized; thereafter some samples are given about the transition of
Özet
The participation process which started to shape in early 20th century,accelarated after 1960s with the trends and formations and became more spreadtodayb Therefore the audience profile is formed with Mona Lisa that is taken asa basic sample but the participant audiences are formed with various art workssince 1960s. This process revealed that the profile of the audiences aretransformed from a passive position to an active position, became moreindependent before tha art work and got closer to the artist.