La Transition Des Elements Culturels et Humoristiques Dans Les Traduction Des Bandes Dessinées

Abstract

Who among us did not make a journey in this colorful world? It is a fact that we set off with the translations of these comics. However, were we able to detect the same referential points the source text reader was able to access and did we find the same drawings funny?This study takes up comics by giving examples of drawers and their works. Otherwise, we worked on the translation of comics making use of translation criticism methods and approaches. As it is intelligible from its name, pictures and adventures of comics submit different experiences/ lives, different times, different paces. We have selected three comics samples for our translation criticism because of the elements of humour : Asterix, Lucky Luke, Tintin.

Özet

Qizgi romanlarin renkli dunyalarmda hangimiz yolcuiuk etmemisizdir? Bu yolculuga gizgi roman cevirileriyle ba§ladigimiz bir gercektir. Ancak, ozgun metni okuyan okurlarla ayni gondermeleri yakalayabilmis ve aym ka-relerde giilebilmi§ miyizdir? Qali§mamizda gizgi roman sanati, onemli gizerler ve yapitlanndan ornekler verile-rek ele almmi§tir. Aynca ceviri ele§tirisi yontem ve yak-lasimlarmdan yola gikarak gizgi romanlarin cevirileri uzerinde oneriler getirilmi§tir. Qizgi romanlar, anlasilabi-lecegi gibi, resimleri ve seruvenleriyle farkli ya§antilan, farkh zamanlan, farkli yerleri anlatirlar. Bu nedenle, ca-li§mamizda, gizgi roman gevirilerinin ekinsel, zamansal ve uzamsal ozelliklerini, ornekler vererek inceledik. Qeviri ele§tirisi yapmak iizere guldurii ogelerinin bulundu-gu ug gizgi roman ornegi segtik: Asteriks, Red Kit ve Tenten.