JOURNEY OF A TALE AND A TYPE FROM TURKISTAN TO ANATOLIA: FROM JALMAVIZ KEMPIR TO CONGALAZ KARISI

TÜRKİSTAN’DAN ANADOLU’YA BİR TİP VE BİR MASALIN SEYAHATİ: JALMAVIZ KEMPİRDEN CONGALAZ KARISINA

Abstract

Oral Culture elements ara a kind of unwritten records that events and experiences lives socities within historical process. In the historical process sovities change their geography because of various reasons and of course that carry their experiences to their new geography. Several changes occurs in the cultural and traditional elements because of various reasons and these elements survive gaining new forms. Gained new forms are one of the most important indicator that shows socities lived cultural and origin union in a certain time of past. Today, in the different geographies of Turkish World, Turkish tribes called different names and putting forward to assembles between folk literature has an importance in terms of showing the connection between Turkish tribes. A type of folk literature products Jalmaviz named among Kazakh. Jalmaviz is named different concepts by Turkish tribes. Types assemle with Jalmaviz functionally in Anatolia field seem rarely and they are called Congalaz Karisi. In this study, after giving place general features of Jalmaviz type in Kazak oral narratives, will be try to compare tale of “Karauyrek” compiled in Kazaks and Congalaz Karisi compiled SilifkeMersin and exhibit basic feature of type One of the Turkish World Jalmaviz Kempir from negative types are commonly encountered. Jalmaviz is seen as a kind of fairy tale and epics in Kazakh Turks. Matriarchal period in which the guardian of the underworld identity of Jalmaviz later periods were also completely negative return characteristics as having a negative type. Jalmaviz type of cruel monster with a widely Kemper from you in this type encountered in tales and epics are associated. Both of these types are mythological types. Kala does not generally mentioned in the text as seven heads. Such Jalmaviz Kempir is similar in both appearance and role in other types of epic and mythological. Do not stay in this sense, considering the generally terrible and cruel type the common name for a type of mythological being next to be called. Underwater kingdom of Jalmaviz and Albasti types and has a connection with the kingdom of the dead. Jalmaviz is considered a representative of this kingdom and also has a relationship with Albasti. Finding water on the lungs in the form of evil spirits, a belief in fairy tales is not an ordinary event indicator. Souls of the dead in the narratives about the evil spirit does not stay in the tale has become a form of lung appearance. In this way, water symbolizes the evil spirit in telling about another world. Jalmaviz is protector of this world's and Albasti is her maid. In Turkish world rather than a common type of Jalmaviz shows a circuit wherein it is seen that a multi-layer property. When the Kazakh tale Jalmaviz Kempir this application and look for that fire did not treat people like women and are still traces of the matriarchal period, the boys do not want to necessarily fall into the hands of the people. Considering the features, such as its appointment as the symbol of evil it has emerged in Jalmaviz Kempir next time. Type of Jalmaviz Kempir first lived as a hero of the story. Then began the Jalmaviz type of the seven heads, it has gathered itself in good and bad features. In addition, the location of the Kazakh and Kyrgyz sewing torn Jalmavız seen in narratives also point to signs of matriartic duty in the matriarchal era. This event has been preserved in the epics of Karakipshak Koblandi Batir. Jalmaviz symbol of cruelty and evil are mostly Kazakh folk literature in general. In texts Jalmaviz known such as Jadigoy Kempir, Kempir, Jalmaviz Kempir. They collaborated with the cruel rulers Jalmaviz to prevent achievement of the objective of the heroes who fought for the people and are located in their service. One of the main characteristics of Jalmaviz eliminate any live animal or mankind. Another features of Jalmaviz is also known that they have the ability to change shape. Sometimes young and interests in front of the hero in the form of a beautiful girl and tried to trick him. Jalmaviz or Yalmavuz are not considered as a type in Anatolian Turkish tales. The Jalmaviz called by different names by different Turkish tribes survey has been conducted on the presence of the Turkish tale features revealed in the Turkish Anatolian area imposing on the world. But some of the features and functions of the tale, which is a type reminiscent of Jalmaviz when we are faced with a type called Congalaz Karisi. Jalmaviz in the Kazakh narratives "Kempir" is used with crone features. Likewise, older women expressing Congalaz "Karisi" is used with the word. Again Jalmaviz/ Calmaviz/ Congalaz when the pronounciation of this concept is seen as a concept that they are close to each other. Therefore, the type with Congalaz and Jalmaviz said that in fact the same type. It is also observed that some parts of Karauyrek tale compiled from Kazakhstan continue to live in Congalaz Karisi tale compiled from SilifkeMersin. Looking at the text from Karayürek and Congalaz Karisi shows some similarities. The longer-term Karauyrek tale Congalaz Karisi is shorter. This tale of the brother of the minister or his kidnapper house boats seen stalactites and women is remarkable similarity of the girl called. So much so that even though how far geography similarity in the name of the heroine of the tale has been largely preserved. This journey gives an answer to the question of how and what extent a tale from Turkistan to Anatolia. It is seen as largely resembled that can be considered and their different versions of the same tale or tell the Jalmaviz Kempir which has compiled about some of the tell tale Turkey Congalaz Karisi. Therefore, oral narratives depend on time, geography and common cultural elements of the past and origins, they continued to undergo although some changes seen in certain criteria. Anadolu field called Karakoncolos or Congolos has another type. In Congolos or Karakoncolos with specific features this ty

Özet

Sözlü kültür unsurları toplumların tarihî süreç içerisinde başlarından geçen hadiselerin ve yaşamış oldukları tecrübelerin bir nevi yazılı olmayan kayıtlarıdır. Tarihî süreç içerisinde türlü sebeplerle coğrafya değiştiren topluluklar gittikleri yeni coğrafyaya elbette bu tecrübelerini de birlikte götürürler. Taşınan bu geleneksel ve kültürel unsurlarda zamanla türlü sebeplere bağlı olarak bir takım değişiklikler meydana gelir ve bu unsurlar yeni formlar kazanarak varlıklarını devam ettirirler. Kazanılan yeni formlar farklı coğrafyalarda yaşayan toplulukların geçmişin belirli bir anında kültürel ve köken birliği yaşamış olduklarının en önemli göstergelerinden biridir. Bugün Türk Dünyasının farklı coğrafyalarında değişik isimlerle anılan Türk boyları arasındaki bağı göstermesi açısından halk edebiyatı ürünleri arasındaki benzerliklerin ortaya konulması büyük bir önem arz etmektedir. Türk boylarının halk edebiyatı ürünlerinde görülen tiplerden birisi de Kazaklar arasında Jalmavız olarak adlandırılan tiptir. Jalmavız Türk boyları tarafından farklı kavramlarla adlandırılmaktadır. Jalmavıza fonksiyon olarak benzeyen tip Anadolu sahasında nadir olarak görülür ve Congalaz olarak adlandırılır. Bu çalışmada Kazak sözlü anlatılarındaki Jalmavız tipinin genel özelliklerine yer verildikten sonra Kazaklar arasında derlenmiş olan "Karaüyrek (Karaördek)" masalı ile Mersin-Silifke'de derleniş olan "Congalaz Karısı" masalı mukayese edilecek ve tipin temel özellikleri ortaya konmaya çalışılacaktır