| USE OF BANDED TRAVERTINE FORMATIONS AS GEMSTONES OF KIRŞEHİR AND AKSARAY REGIONS | İlkay KAYDU AKBUDAK, Zeynel BAŞIBÜYÜK, Gökhan EKİNCİOĞLU, Engin EKDUR | 1–12 |
| SEMIOTIC FILM ANALYSIS: CASE OF EŞKIYA MOVIE | Mustafa Hikmet AYDINGÜLER | 13–24 |
| UNISEX GARMENT DESIGN PROJECT USING FABRICS OBTAINED BY RECYCLING FROM TALU TEXTILE CUTTING WASTE | Melis BAYAT, Nuriye İŞGÖREN | 25–40 |
| AN INVESTIGATION OF TEXTILE AND FASHION PRODUCTS IN ANNUAIRE ORIENTAL (ORIGIN TRADE YEAR) IN TERMS OF ADVERTISING | Mine CERANOĞLU TERECE | 41–67 |
| 21st CENTURY READINGS OF ARTISTS AND ARTWORKS THROUGH THE METHOD OF DECONSTRUCTION WITH CLAY MATERIAL | Nalan DANABAŞ | 68–89 |
| COMMUNICATION WITH AVATARS: A REVIEW ON VIRTUAL INFLUENCERS AND PRODUCTION TECHNIQUES | Hüsnü Çağlar DOĞRU | 90–105 |
| THE USE OF OLIVE LEAF AS A PIGMENT IN GUM BICHROMATE PHOTO PRINTING METHOD | Bülent Ümit ERUTKU, Hakan TEMUÇİN | 106–113 |
| ON THE EFFECTS OF IMPRESSİONİST ART MOVEMENT ON THE ARTİSTS OF ÇALLI GENERATION | Ümit GEZGİN | 114–128 |
| VANDALISM IN THE PUBLIC SPACE IN THE CASE OF RICHARD SERRA, PRIVATIZATION OF CULTURE AND CENSORSHIP OF CRITICAL ART | Ezgi TOKDİL | 129–149 |
| THE ART OF EMBROIDERY IN THE TRADITION OF ANATOLIAN DOWRY | Ayşe Gamze ÖNGEN | 150–160 |
| REFLECTING THE XX. CENTURY CLOTHING FASHION TO SOCIETY THROUGH CINEMA AND CINEMA ARTISTS | Ayşe Gamze ÖNGEN, Sümeyra Merve İLBAK TAHMAZ | 161–176 |
| LITTLE GIRL WITH DOLL IMAGE IN PAINTINGS OF BERTHE MORISOT | Nurgül KELEŞ, Nilgün ŞENER | 177–187 |
| THE CONCEPT OF "VANITAS" IN THE WORKS OF ALAIN BELLINO | Derya KOCAER, Nilgün ŞENER | 188–201 |