| IN THE RISALEH PERIOD THREE CONCEPTS IN THE CONTEXT OF GANİMA AND MARAUDİNG -NUHBA- GULÛL- SALAB | CAFER ACAR | 1–15 |
| DİNİN ŞİDDET KAYNAĞINA DÖNÜŞTÜĞÜ YERDE BİR İLETİŞİM KAZASI VAR MIDIR? | MAHMUT MERT ASLAN | 17–30 |
| AN EVALUATION ON CONTEMPORARY VISUAL ARTS AND ARTISTS IN IRAN | CEMİLE DİDEM ÖZIŞIK KAKHİA,AHMET ALİ BAYHAN,Hajar BABAZADEH | 31–70 |
| A COMMERCIAL INN SANK INTO OBLIVION: YENI HAN | Gülberk BİLECİK | 71–93 |
| ISSUES EXPERIENCED IN PROVISION OF EMERGENCY SERVICES IN PRE-HOSPITALIZATION PERIOD IN TURKEY | Cihan ÜNAL,SEDAT BOSTAN | 95–116 |
| DETERMINATION OF PRE-SERVICE TEACHERS’ ADEQUATE AND BALANCED EATING HABITS (THE CASE OF MUGLA) | ERDİL DURUKAN,HALİL ÇOKÇALIŞKAN,ŞENDİL CAN,SÜLEYMAN CAN | 117–134 |
| MIGRATION AND FRAGMENTED FAMILY: REFLECTIONS OF THE PEOPLE LEFT BEHIND IN THE MOVIE “THE RETURN” | UĞUR ÇAĞLAK | 135–150 |
| A COMPARATIVE STUDY ON THE REFLECTION OF PERCEPTION OF DEATH BY COLLEGE STUDENTS ON DAILY LIFE | ENSAR ÇETİN | 151–170 |
| EXPOSURE OF DATING VIOLENCE AND IT’S EFFECTIVE FACTORS AMONG UNIVERSITY STUDENTS | SEVİL BİÇER,GÖKÇE DEMİR | 171–188 |
| ARMENIAN MUSICIANS IN HARPUT MUSIC | YAVUZ DEMİRTAŞ | 189–200 |
| RELATIONSHIP BETWEEN THE LANDSCAPE PROPERTIES OF MUSEUM GARDENS AND USER SATISFACTION | Elif Merve ALPAK,Emine TARAKCI EREN,TUĞBA DÜZENLİ | 201–214 |
| THINKING STYLES OF CLERGYMEN AND RELIGIOUS COPING | SEMA ERYÜCEL | 215–244 |
| WESTERNIZATION AND REFLECTIONS OF WESTERNIZATION IN LITERATURE: “GÖZYAŞLARI” (TEARS) OF MUSTAFA RASHID, AN INTERIM PERIOD LITERARY FIGURE | SEVDA KAMAN,BERNA FİLDİŞ | 245–280 |
| THE PROBLAMATIC OF PROTECTING VEZIRHAN WITHIN THE FRAMEWORK OF THE HISTORIC URBAN LANDSCAPE APPROACH | İclal KAYA ALTAY*,FATMA PELİN GÖKGÜR | 281–294 |