| University Symphony Orchestras and Concert Repertoire In Turkey | Bahar Aydın ALMAÇ, Özlem BELKIS, Ebru Güney CANBEY | 827–843 |
| The Themes Developing Around the Urban Phenomenon in Culturalism and Contemporary Art | Aygül AYKUT, Ali KOÇ | 845–863 |
| A Semiotic Look at the Digital Age with the Black Mirror Series | Rafşan Yağmur ÇELİK, Meral ÖZÇINAR | 865–892 |
| The Relation Between Flight Mobility and Spread of Covid-19: A Study in the Balkan Countries | Demet DAĞLI, Ednan AYVAZ | 893–907 |
| Doxing as a Form of Online Activism: Case of Alexei Navalny’s Film A Palace For Putin | Viktoriia DEMYDOVA | 909–929 |
| Current Situation of Teaching Turkish as a Foreign Language | Bahar Doğan KAHTALI, Büşra GÜNATA | 931–959 |
| An Archetype in Art History: Circle Form and the Eye | Gonca ERİM, Berna COŞKUN ONAN | 961–977 |
| Last Olympiad of Ancient Age: Antioch | Tanju BAĞIRGAN, Sevda KORKMAZ | 979–988 |
| The Architectural History and Spatial Transformation of Panagia (Koimesis Theotokou) and AgiosPanteleimon Churches on Cunda Island of Ayvalık | Hasan Sercan SAĞLAM | 989–1017 |
| Voyage from Constanța to Alexandria in 1911 By Serviciul Maritim Roman (SMR) -According to ABrochure of Time Schedule and A Voyage Schedule- | Yunus Emre TEKİNSOY, Murat HANİLÇE | 1019–1049 |
| Investigation of the Iconographic and Formal Features of the Petroglyphs in Kars-Üçler Valley | Sait TOPRAK | 1051–1073 |
| Investigation of Hearing Impaired Handball Players' Self-Esteem Symptom Levels: A Case Study | Merve UCA, Ülkü ÇOBAN | 1075–1085 |
| Analysing the Relationship Between School Administrators’ Perceptions of TechnologicalLeadership Competencies and Innovation Management Competencies | Baran Barış YILDIZ, Harun TÜYSÜZ, Mustafa ÖZTÜRK | 1087–1108 |
| Emîn Feyzî and Şu‘â‘ât |