| DIGITAL HERITAGE: CONSERVATION APPROACHES IN RELATIONSHIP OF ARCHITECTURAL HERITAGE AND DIGITAL ASSETS | TİGİN TÖRE | 1–10 |
| IN THE CONSUMER SOCIETY THE CONCEPT OF CULTURAL SPACE SCALING: THE CASE OF ISTANBUL | ARZU ERÇETİN | 11–18 |
| URBAN DESIGN AS A MEANS OF PARTICIPATION: THE MEDELLIN MIRACLE | EVRİM TÖRE,Öznur ÇAĞLAYAN | 19–36 |
| BASIC DESIGN EDUCATION AND BAUHAUS | Ece ESEN,Gülçin Cankız ELİBOL,Duygu KOCA | 37–44 |
| SEMIOLOGICAL ANALYSIS OF RESIDENCE ADVERTISEMENTS IN THE CASE OF ISTANBUL`S TRANSFORMATION: ARCHITECTURAL EXAMPLES OF POST-2000 | HANDAN GÜZELCİ | 56–71 |
| A CRITICISM AFFAIR ON THE CONCEPTUAL UNSUSTAINABILITY OF SUSTAINABILITY AS A PERCEPTION | ÖZKAL BARIŞ ÖZTÜRK | 61–66 |
| KENT ODAĞI OLARAK SAAT KULELERİ: NUSRETİYE SAAT KULESİNİN DEĞİŞEN ÖLÇEĞİ | Elif GELMEZ,Meriç ALTINTAŞ | 79–96 |
| KENT ODAĞI OLARAK SAAT KULELERİ: NUSRETİYE SAAT KULESİNİN DEĞİŞEN ÖLÇEĞİ | ELİF GELMEZ,MERİÇ ALTINTAŞ | 79–96 |
| SPACE AS AN INTERFACE IN THE RELATION OF CONCEPT ACTION OBJECT | OSMAN ARAYICI | 97–103 |
| CREATING INNOVATIVE SPACES BY USING DESIGN CRITERIA BASED ON BIOMIMICRY | ALİYE RAHŞAN KARABETÇA | 104–111 |
| SCHOOLYARDS, JOURNEYS AND FAVORITE SPOTS: REFLECTIONS ON MIDDLECHILHOOD EXPERIENCES OF SCHOOL PLACES | Sana AL-AZZAWI,Göksenin INALHAN | 112–122 |
| CREATIVITY FOCUSED DESIGN STUDIES IN INTERIOR ARCHITECTURE PROJECT STUDIO | DERYA ADIGÜZEL ÖZBEK,Gülay USTA | 123–132 |
| DESIGN OF SPACE WITH BODY INTERACTION | DERYA ADIGÜZEL ÖZBEK | 133–142 |
| INVESTIGATING THE APPLIED PARTICIPATORY ARCHITECTURE BASED ON INDEPENDENT TURKISH ARCHITECTURE ORGANISATIONS | Ali Kemal TERLEMEZ | 143–152 |