Dergiler / Journal of American Studies of Turkey
JAST - JOURNAL OF AMERICAN STUDIES OF TURKEY (ISSN: 1300-6606) A biannual print and online international publication of the American Studies Association of Turkey, the Journal of American Studies of Turkey operates with a double-blind peer review system. It publishes transdisciplinary work (in English) on American literature, history, art, music, film, popular culture, institutions, politics, economics, geography, and related subjects. Contributors need not be members of the American Studies Association of Turkey. Articles which cross conventional borders between academic disciplines are particularly welcome, as are comparative studies of the United States. The American Studies Association of Turkey is not responsible for statements, whether of fact or opinion, made by contributors. The American Studies Association of Turkey was founded in 1988 to promote American Studies in Turkey and support Turkish and non-Turkish scholars working in the field. It also aims to further research and publication in Turkish-American comparative studies. The Journal of American Studies of Turkey is indexed in the MLA International Bibliography, TÜBİTAK/ULAKBİM TR Dizin, and the Classificazione ANVUR delle riviste scientifiche (Italy). It also appears in the Ulrich’s International Periodicals Directory and the MLA Directory of Periodicals. It can be accessed online (see the sidebar), in print, and through the EBSCO and Dergi Park databases.
2015 · Sayı: 41
| Makale | Yazar | Sayfa |
|---|---|---|
| Introduction: Testing Times for American Studies | Laurence RAW | 1–3 |
| Framing Errors: Reality and Fiction in Audio Drama | Leslie MCMURTRY | 5–15 |
| “An Indefinite Procession of Shadows”: Fitzgerald on Film in The Great Gatsby | Ian OLNEY | 17–23 |
| Arthur Miller in Erzurum | David ESPEY | 25–29 |
| Multiculturalism in Turkish Classrooms | Seçil HORASAN DOĞAN | 31–44 |
| American Undercurrents in the 21st Century: Trauma, Transformation, and the Reader as Witness in Nicole Krauss’s Man Walks into a Room | Laura Virginia CASTOR | 45–68 |
| Massified Illusions of Difference: Photography and the Mystique of the American Historically Black Colleges and Universities HBCUs | Bruce Makoto ARNOLD, Roland W. MİTCHELL, Noelle ARNOLD | 69–94 |
| Era c ing the South: Modern Popular Culture Depictions of Southern History | Bryan JACK | 95–106 |
| The Re-emergence of the Silent Film in Contemporary Cinema and Culture | Arnold Anthony SCHMİDT | 107–113 |
| The Beauties of Gravity | Spyros YİASSEMİDES | 115–118 |