| Postmodern Elements in Timur Vermes’ Novel “Look Who is Back” | Emre Bekir GÜVEN | 391–410 |
| Using AHP-TOPSIS Methods for Raw Material Supplier Selection And An Application In Food Sector | Derya ÖZTÜRK,Mahmut TEKİN | 411–432 |
| Geographical Factors Affecting Population Development, Main Characteristics and Spatial Distribution in Kağızman District Center | Mucip DEMİR | 433–456 |
| Reexamination of the BIST 100 Stock Price Volatility with Heterogeneous Autoregressive Realized Volatility Models | Burak Alparslan EROĞLU,Deniz İKİZLERLİ,Haluk YENER | 457–476 |
| Analysis of the Concept of “Hand” in Idioms in Turkish and German with Conceptual Metaphor Analysis Method and its pedagogical implications | Kemal DEMİR | 477–484 |
| Investigation of Customer Complaints Towards Restaurants in Mardin and Diyarbakır: Case of Tripadvisor | Betül KODAŞ,Meral ÜZÜLMEZ | 485–505 |
| Some Determinations About Yakutiye Madrasas | Gazi ÖZDEMİR | 507–529 |
| An Overview of Andalusian Prose | Mahmut ÜSTÜN | 531–546 |
| The Life and Military Activities of Mushir (Marshall) Hassan Pasha (the Seven-Eight), the Guard of Beşiktaş | Salim AYDIN | 547–578 |
| The Trade in Mongolian Iran | Özkan DAYI | 579–597 |
| Maqam Analysis of One of the Uzun Hava Genres of Traditional Turkish Folk Music Called Maya | Yavuz ŞEN,Erkan AKBAŞ | 599–618 |
| Situations that May Cause Possible Physical Problems/Injuries in Pianists and Prevention Suggestions | Şevki Özer AKÇAY,Burak DUZAK | 619–637 |
| Bursa Yıldırım Mosque Hand-Drawn (Kalemisi) Decorations According to Design Principles | Gonca ERİM | 639–654 |
| In the Context of the Concept of Potlach, Voters and Elections in Turkey: Examples of 1950, 1965, 1987 and 2007 | Rıdvan KÜÇÜKALİ,Mehmet Orkun GENÇ |