Journals / Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi / 2012 / Sayı: 31

An Investigation of Two Musical Pieces Composed in the Dilkeshaveran Mode by Zeki Arif Ataergin in Terms of Mode, Style and Melody

Zeki Arif Ataergin'in Dilkeşhaveran makamında Bestelemiş Olduğu 2 eserin Makam, Usûl ve Ezgisel Yönden İncelenmesi

Pages
401–417
Publication Date
2012-12-01
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Besides, the routes and musical movements within the pieces of music were given in detail.

📌 3 Key Takeaways

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Objective & Hypothesis:In this study the musical history and the life of Zeki Arif Ataergin, one of the most prominent composers of Turkish Music, is presented in detail. two works of the composer, which he composed in dilkeshaveran mode, have been studied in terms of mode, style and melodical.
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Key Findings & Data:It is seen that the dilkeshaveran mode used in the analyzed pieces of music doesn't match up with the dilkeshaveran mode explained in the system.
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Conclusion & Impact:Besides, the routes and musical movements within the pieces of music were given in detail.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Türk müziği · Zeki Arif Ataergin · Makam

Abstract

In this study the musical history and the life of Zeki Arif Ataergin, one of the most prominent composers of Turkish Music, is presented in detail. two works of the composer, which he composed in dilkeshaveran mode, have been studied in terms of mode, style and melodical. It is seen that the dilkeshaveran mode used in the analyzed pieces of music doesn't match up with the dilkeshaveran mode explained in the system. Besides, the routes and musical movements within the pieces of music were given in detail.

Özet

Bu çalışmada Türk müziğinin en önemli bestekârlarından Zeki Arif Ataergin’in hayatı ve musiki geçmişi ayrıntılarıyla anlatılmıştır. Bestekârın dilkeşhaveran makamında bestelemiş olduğu iki eseri biçim, usûl ve makam yönünden incelenmiştir. İncelenen bu eserler içinde kullanılan dilkeşhaveran makamı ile sistemde anlatılan dilkeşhaveran makamının örtüşmediği gözükmektedir. Ayrıca eserler içindeki geçkiler, müzik hareketleri ayrıntılı bir şekildegösterilmiştir.

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Cite This Article

AKDENİZ, A., AKBULUT, Y. (2012). An Investigation of Two Musical Pieces Composed in the Dilkeshaveran Mode by Zeki Arif Ataergin in Terms of Mode, Style and Melody. Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, Sayı: 31, 401–417. https://ajindex.com/articles/99808

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