Journals / Cumhuriyet Science Journal / 2015 / Cilt: 36 - Sayı: 3

A Nietzschean Approach to Thoreau’s Walden: The Appearance of the Self

Pages
1930–1940
Publication Date
2015-05-13
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Nietzsche and Thoreau seem to be saying that life becomes meaningful only if one’s true self or the will to live is realized and recreated; if one can achieve a higher state of consciousness.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:This article proposes a study of Henry David Thoreau’s Walden (1854) in the light of Nietzsche’s ideas of ubermensch, self, and the role of the artist to show that the quest of a ‘romantic’ artist like Thoreau as well as an ‘anti-romantic’ like Nietzsche, to use J.
📊
Key Findings & Data:Hillis Miller’s terms, is a quest of the discovery and creation of the self.
💡
Conclusion & Impact:Nietzsche and Thoreau seem to be saying that life becomes meaningful only if one’s true self or the will to live is realized and recreated; if one can achieve a higher state of consciousness.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Nietzsche · Self · Thoreau

Abstract

Abstract. This article proposes a study of Henry David Thoreau’s Walden (1854) in the light of Nietzsche’s ideas of ubermensch, self, and the role of the artist to show that the quest of a ‘romantic’ artist like Thoreau as well as an ‘anti-romantic’ like Nietzsche, to use J. Hillis Miller’s terms, is a quest of the discovery and creation of the self. It is argued that the mentioned writers’ main concern is a glorified self with the ability to transcend conventional morality, rather than the appearance or disappearance of God. The disappearance of God seems to be the necessary condition for the birth of the (myth of) the Superman who sees a universe without God, and rather than finding it meaningless and empty, creates his own meaning and true self. The self recreates itself through art, and this desire acts as a propelling force in Walden and Nietzsche’s writings where their art is the desire to survive and recognize the self, for art makes survival possible by converting the horror of a golden world into a pleasing realization of the capacities of the self. Nietzsche and Thoreau seem to be saying that life becomes meaningful only if one’s true self or the will to live is realized and recreated; if one can achieve a higher state of consciousness.

🔖

Cite This Article

ABBASI, P., SALEH, N. S. (2015). A Nietzschean Approach to Thoreau’s Walden: The Appearance of the Self. Cumhuriyet Science Journal, Cilt: 36 - Sayı: 3, 1930–1940. https://ajindex.com/articles/714726

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (9)

  1. Bloom, H. (2005). Dramatists and Dramas. New York: Chelsea House Publishers.
  2. Butler, C., Leavis, F. R. (1980). Some General Considerations and Some Comparisons with Nietzsche. English Studies, 61 (6), 507-519.
  3. Campbell, W. J. (2000). The Book of Great Books: A Guide to 100 World Classics. New York: Metrobooks. Childs, P. (2000). Modernism. London: Routledge. Collinson, D. (1987). Fifty Major Philosophers: A Reference Guide. London and New York: Routledge. Danby, J. F. (1975). Wordsworth: The Prelude and Other Poems. London: Edward Arnold. Drake, W. (1962). Walden. In Sherman Paul (Ed.), Thoreau: A Collection of Critical Essays (pp. 71-91).
  4. Prentice-Hall. Gunter, P. A. (1968). Nietzschean Laughter. Sewanee Review, 76 (3), 493- 506. Habib, M. A. R. (2005). A History of Literary Criticism: From Plato to the Present. Blackwell Publishing. Joyce, J. (1992). A Portrait of the Artist as a Young Man. London: Wordsworth Classics. Kaufmann, W. (1950). Nietzsche: Philosopher, Psychologist, Anti-Christ. Cleveland: The World Publishing Company. Lawrence, D. H. (1936). Phoenix: the Posthumous Papers of D. H. Lawrence. In Edward D McDonald (Ed.), (pp. 521-538).
  5. Heinemann, London. Mansfiled, N. (2000). Subjectivity: Theories of the Self from Freud to Haraway. Sydney: Allen & Unwin. Miller, J. H. (1963). The Disappearance of God: Five Nineteenth-Century Writers. New York: Schocken Books. Nietzsche, F. (2003). Thus Spake Zarathustra: A book for all and none (Thomas Wayne, Trans.). New York: Algora Publishing. Nietzsche, F. (1883). Thus Spake Zarathustra (W. Kaufmann, Trans.). New York: The Viking Press.
  6. Nietzsche, F. (1871). The Birth of Tragedy (Clifton P. Fadiman, Trans.). New York: Dover Publications. On Truth and Lying in a Non-moral Sense. In Friedrich Nietzsche, The Birth of Tragedy and Other Writings (Clifton P. Fadiman, Trans.). New York: Dover Publications. The Portable Nietzsche. In Walter Kaufmann (Ed.). New York: The Viking Press.
  7. Nietzsche, F. (1878). Human, all too-human (J. E. Hollingdale, Trans.). Cambridge: Cambridge University Press.
  8. Nietzsche, F. (1882). The Gay Science (W. Kaufmann, Trans.). New York: Random House. Owen, D. (1997). Maturity and Modernity: Nietzsche, Weber, Foucault and the Ambivalence of Reason. London: Routledge. Paul, S. (1962). A Fable of the Renewal of Life. In Thoreau: A Collection of Critical Essays. Sherman Paul (Ed.), (pp. 100-116).
  9. Prentice- Hall. Paul, S. (1959). Resolution at Walden. In Interpretations of American Literature.