Journals / Sanat ve Tasarım Dergisi / 2011 / Cilt: 1 - Sayı: 1

Some Observation on Mehmet Zahit Büyükişliyen and His Abstract Landscapes

Mehmet Zahit Büyükişliyen ve Soyut Peyzajları Üzerine Bir İnceleme

Pages
15–24
Publication Date
2011-11-01
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Overviewing the conservations which have been made and published in preceding years, the critiques of the art critics and authors and the commentaries about his art, making interviews with him, a versatile feature about his art has been endeavoured.

📌 3 Key Takeaways

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Objective & Hypothesis:In this article, one of the the most prolific and experimental Turkish artists Zahit Büyükişliyen’s (1946) education, the sources which his art is nourished, his thought about and art education and the process of his original art language in context of social life of the period have been researched.
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Key Findings & Data:In this article, one of the the most prolific and experimental Turkish artists Zahit Büyükişliyen’s (1946) education, the sources which his art is nourished, his thought about and art education and the process of his original art language in context of social life of the period have been researched.
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Conclusion & Impact:Overviewing the conservations which have been made and published in preceding years, the critiques of the art critics and authors and the commentaries about his art, making interviews with him, a versatile feature about his art has been endeavoured.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Zahit Büyükişliyen · Soyut · Soyutlama

Abstract

In this article, one of the the most prolific and experimental Turkish artists Zahit Büyükişliyen’s (1946) education, the sources which his art is nourished, his thought about and art education and the process of his original art language in context of social life of the period have been researched. Overviewing the conservations which have been made and published in preceding years, the critiques of the art critics and authors and the commentaries about his art, making interviews with him, a versatile feature about his art has been endeavoured.

Özet

Bu makalede, günümüz Türk resminin en üretken ve deneyci sanatçılarından biri olan Mehmet Zahit Büyükişliyen’in (1946) sanat eğitimi, sanatının temellendiği kaynaklar ve özgün sanat dilinin gelişimi, dönemin sosyal yaşamı bağlamında araştırılmıştır. Sanatçıyla önceki yıllarda, sanatı üzerine yapılmış olan konuşmalar gözden geçirilerek, sanat eleştirmeni ve yazarların, onun sanatı hakkındaki değerlendirme ve yorumları incelenerek, kendisiyle görüşmeler yapılarak, sanatı hak- kında çok yönlü bir bakış açısı oluşturulmaya çalışılmıştır.

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Cite This Article

ATEŞ, İ. (2011). Some Observation on Mehmet Zahit Büyükişliyen and His Abstract Landscapes. Sanat ve Tasarım Dergisi, Cilt: 1 - Sayı: 1, 15–24. https://ajindex.com/articles/698097

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References (2)

  1. ATEŞ İsmail (Aralık:2009). Zahit Büyükişliyen - Dönemlerden Bir Seçki, Kişisel Sergi Kataloğu, Hacettepe Üniversi- tesi Yayınları,
  2. Ankara, Sayfa: 11-19 ÖZSEZGİN Kaya (2006). Zahit Büyükişliyen Sanatta 40 Yıl, İMGS Sanat Yayınları: İstanbul. ARAL İnci (Haziran:1982). Zahit Büyükişliyen, Gösteri Sanat Dergisi, Sayı:19, Hürriyet Yayıncılık, İstanbul, Sayfa:41 TURANİ Adnan (Kasım:1982). Zahit Büyükişliyen’in Resmi Hakkında, Yeni Boyut Sanat Dergisi, Sayı:1/7, Torunoğlu Yayıncılık, Ankara, Sayfa:24