Journals / Hacettepe Üniversitesi Türkiyat Araştırmaları Dergisi / 2015 / Cilt: 0 - Sayı: 22

Ortaçağ ve Elizabeth Dönemi İngiliz Şiiri Bağlamında Osmanlılar ve Türkler

THE OTTOMANS AND THE TURKS WITHIN THE CONTEXT OF MEDIEVAL AND THE ELIZABETHAN ENGLISH POETRY

Pages
253–276
Publication Date
2022-10-17
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The conquest of Constantinople(contemporary İstanbul) by Mehmed II giving the Ottomans a foothold inEurope, and Selim I s becoming the caliphate in the Muslim world strengthenedthe idea that the Ottoman Empire was the leader of Islam which made theOttomans a growing threat to Europe with its unavoidable advances.Accordingly, this article intends to discuss the representations of theTurks/Ottomans affiliated with the Muslims/Saracens in both medieval and theElizabethan English poetry within the framework of The Turke and Gowin,Roland and Vernagu, The Romance of Otuel, Richard Coer de Lyon, Octovian,King Horn, Sir Ferumbras, The Sowdone of Babylone, The Sege off Melayne,Geoffrey Chaucer s The Canterbury Tales, Edmund Spenser s The FaerieQueene, Sir Philip Sidney s Astrophel and Stella and The Def ense of Poesy andtheir associations as the religious, cultural and ethnic other in both periods.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:The Ottoman Empire was a geographically, economically, religiouslyand politically powerful empire that lasted from the late thirteenth century to theearly twentieth century, expanding its influence not only to Europe but also tothe Middle East, Asia Minor and North Africa.
📊
Key Findings & Data:Especially in the late fifteenthcentury and the sixteenth century, the Ottoman Empire, as the leader andspreader of Islam, began to have a profound impact on three continents andachieved several military victories, which led Western Europeans to fear that itwould bring the downfall of Christianity.
💡
Conclusion & Impact:The conquest of Constantinople(contemporary İstanbul) by Mehmed II giving the Ottomans a foothold inEurope, and Selim I s becoming the caliphate in the Muslim world strengthenedthe idea that the Ottoman Empire was the leader of Islam which made theOttomans a growing threat to Europe with its unavoidable advances.Accordingly, this article intends to discuss the representations of theTurks/Ottomans affiliated with the Muslims/Saracens in both medieval and theElizabethan English poetry within the framework of The Turke and Gowin,Roland and Vernagu, The Romance of Otuel, Richard Coer de Lyon, Octovian,King Horn, Sir Ferumbras, The Sowdone of Babylone, The Sege off Melayne,Geoffrey Chaucer s The Canterbury Tales, Edmund Spenser s The FaerieQueene, Sir Philip Sidney s Astrophel and Stella and The Def ense of Poesy andtheir associations as the religious, cultural and ethnic other in both periods.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

The Ottoman Empire was a geographically, economically, religiouslyand politically powerful empire that lasted from the late thirteenth century to theearly twentieth century, expanding its influence not only to Europe but also tothe Middle East, Asia Minor and North Africa. Especially in the late fifteenthcentury and the sixteenth century, the Ottoman Empire, as the leader andspreader of Islam, began to have a profound impact on three continents andachieved several military victories, which led Western Europeans to fear that itwould bring the downfall of Christianity. The conquest of Constantinople(contemporary İstanbul) by Mehmed II giving the Ottomans a foothold inEurope, and Selim I s becoming the caliphate in the Muslim world strengthenedthe idea that the Ottoman Empire was the leader of Islam which made theOttomans a growing threat to Europe with its unavoidable advances.Accordingly, this article intends to discuss the representations of theTurks/Ottomans affiliated with the Muslims/Saracens in both medieval and theElizabethan English poetry within the framework of The Turke and Gowin,Roland and Vernagu, The Romance of Otuel, Richard Coer de Lyon, Octovian,King Horn, Sir Ferumbras, The Sowdone of Babylone, The Sege off Melayne,Geoffrey Chaucer s The Canterbury Tales, Edmund Spenser s The FaerieQueene, Sir Philip Sidney s Astrophel and Stella and The Def ense of Poesy andtheir associations as the religious, cultural and ethnic other in both periods.

Özet

Osmanlı İmparatorluğu on üçüncü yüzyıl sonundan yirminci yüzyılınbaşına dek süren, etkisini sadece Avrupaya değil Orta Doğu, Anadolu ve KuzeyAfrikaya da yaymış olan, coğrafi, ekonomik, dini ve politik olarak güçlü birimparatorluktur. Özellikle geç on beşinci ve on altıncı yüzyıllarda Osmanlıİmparatorluğu İslamın önderi ve yayıcısı olarak üç kıtada, Batı AvrupalılarıHıristiyanlığı yıkacağı korkusuna sevk eden, derin tesirler bırakmaya ve askeribaşarılar kazanmaya başlamıştır. Osmanlılara Avrupaya ayak bastıranKostantiniyyenin (bugünkü İstanbul) II. Mehmet tarafından fethedilmesi ve I.Selimin İslam dünyasının halifesi olması Osmanlı İmparatorluğunu İslamınönderi olduğu fikrini güçlendirerek önlenemez ilerlemesiyle Osmanlıları Avrupakarşısında büyüyen bir tehdide dönüştürmüştür. Bu bağlamda, bu makale TheTurke and Gowin, Roland and Vernagu, The Romance of Otuel, Richard Coer deLyon, Octovian, King Horn, Sir Ferumbras, The Sowdone of Babylone, The Segeoff Melayne, Geoffrey Chaucerın Canterbury Hikâyeleri (The CanterburyTales), Edmund Spenserın The Faerie Queene, Sir Philip Sidneyin Astropheland Stella ve The Def ense of Poesy eserleri çerçevesindeMüslümanlar/Sarasenler ile ilişkilendirilen Türklerin/Osmanlıların ortaçağ veElizabeth dönemi İngiliz şiirinde yer alan tasvirlerini ve her iki dönemde dini,kültürel ve etnik diğer olarak ilişkilendirmelerini tartışmaktadır.

🔖

Cite This Article

TAŞDELEN, P. (2022). Ortaçağ ve Elizabeth Dönemi İngiliz Şiiri Bağlamında Osmanlılar ve Türkler. Hacettepe Üniversitesi Türkiyat Araştırmaları Dergisi, Cilt: 0 - Sayı: 22, 253–276. https://ajindex.com/articles/533612

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (17)

  1. Adams, R. P. (1959). Bold Bawdry and Open Manslaughter: The English New Humanist Attack on Medieval Romance. The Huntington Library Quarterly, 23(1), 33-48.
  2. Akbari, S. C. (2004). Incorporation in the Siege of Melayne. (N. McDonald, Ed.), Pulp Fictions of Medieval England: Essays in Popular Romance in (pp. 22-44).
  3. Manchester. Akbari, S. C. (2009). Idols in the East: European Representations of Islam and the Orient, 1100-1450. New York: Cornell University Press.
  4. Aksoy, N. (2004). Rönesans İngiltere ’sinde Türkler. İstanbul: İstanbul Bilgi Üniversitesi Yayınları.
  5. Ashton, G. (2010). Medieval English Romance in Context. London: Continuum. Barron, W. R. J. (1987). English Medieval Romance. Harlow: Longman. Bartels, E. (1992). The Double Vision of the East: Imperialist Self-Construction in Marlowe’s Tamburlaine, Part One. (M. B. Rose, Ed.), Renaissance Drama in an Age of Colonization in (pp. 3-24).
  6. Evanston. Benson, L. D. (2008). The Riverside Chaucer. Oxford: Oxford University Press.
  7. Bisaha, N. (2004). Creating East and West: Renaissance Humanists and the Ottoman Turks. Philadelphia: University of Pennsylvania Press.
  8. Brown, P. (2011). Authors in Contexts: Geoff rey Chaucer. New York: Oxford University Press.
  9. Brunner, K. (Ed.). (1913). Der mittelenglische Versroman űber Richard Löwenherz. Vienna, Leipzig: Braumüller. Burton, J. (2000). Anglo-Ottoman Relations and the Image of the Turk in Tamburlaine. Journal of Medieval and Early Modern Studies, 30(1), 125-156.
  10. Burton, J. (2005). Traff ic and Turning: Islam and English Drama, 1579-1624. Cranbury: Associated University Press.
  11. Cohen, J. J. (2001). On Saracen Enjoyment: Some Fantasies of Race in Late Medieval France and England. Journal of Medieval and Early Modern Studies, 31(1), 113-146.
  12. Crofts, T. H. and Rouse, R. (2009). Middle English Popular Romance and National Identity. (R. L. Radulescu and C. J. Rushton, Ed.), A Companion to Medieval Popular Romance in (pp. 79-95).
  13. Cambridge. de Weever, J. (1998). Sheba ’s Daughters: Whitening and Demonizing the Saracen Woman in Medieval French Epic. New York: Garland. Finkel, C. (2005). Osman ’s Dream: The Story of the Ottoman Emp ire 1300-1923. London: John Murray Publishers.
  14. Finlayson, J. (1990).
  15. Richard, Coer de Lyon: Romance, History or Something in Between?. Studies in Philology, 87(2), 156-180.
  16. Fuchs, B. (2004). Romance. New York: Routledge. Glassé, C. (2002). The New Encyclopedia of Islam. Walnut Creek: AltaMira Press.
  17. Goodman, J. (1999). Lords of the Horizons: A Hi