SavedAdd your journal

Journals / Arkeoloji ve Sanat / 2020 / Cilt: 163 - Sayı: 163

AN UNIQUE WALL PAINTING TECNIQE AT CAPPODOCCIA REGION IN IHLARA VALLEY CHURCH OF HAGIOS DANIEL (AGACALTI)

Kapadokya Bölgesi IhlaraVadisi’nde Ünik Bir DuvarResmi Yapım Tekniği Aziz Daniel (Ağaçaltı) Kilisesi

Hande GÜNÖZÜ ULUSOY
Pages
137–146
Publication Date
2022-10-11
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Inorder to reveal the wall painting technique of these paintings; the stratigraphy and the compositionof the support, plaster and the paint layers are analyzed by ESEM-EDX (Philips-FET XL 3D-ESEM-FEGOXFORD X MAX 80 mm2 X-ray Detector/ INCA software), X Ray Diffraction, X Ray Fluorescence,XRD-XRF INXITU /DUETTO, Fourier Transform Infrared Spectroscopy (FTIR) instrumental methods.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:This study investigates the characterization of wall paintings of Aziz Daniel Church (Agacalti Church)which is Byzantine period rock-cut structures in Cappadocia region at Peristrema, Ihlara Valley.
📊
Key Findings & Data:This study investigates the characterization of wall paintings of Aziz Daniel Church (Agacalti Church)which is Byzantine period rock-cut structures in Cappadocia region at Peristrema, Ihlara Valley.
💡
Conclusion & Impact:Inorder to reveal the wall painting technique of these paintings; the stratigraphy and the compositionof the support, plaster and the paint layers are analyzed by ESEM-EDX (Philips-FET XL 3D-ESEM-FEGOXFORD X MAX 80 mm2 X-ray Detector/ INCA software), X Ray Diffraction, X Ray Fluorescence,XRD-XRF INXITU /DUETTO, Fourier Transform Infrared Spectroscopy (FTIR) instrumental methods.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

This study investigates the characterization of wall paintings of Aziz Daniel Church (Agacalti Church)which is Byzantine period rock-cut structures in Cappadocia region at Peristrema, Ihlara Valley. Inorder to reveal the wall painting technique of these paintings; the stratigraphy and the compositionof the support, plaster and the paint layers are analyzed by ESEM-EDX (Philips-FET XL 3D-ESEM-FEGOXFORD X MAX 80 mm2 X-ray Detector/ INCA software), X Ray Diffraction, X Ray Fluorescence,XRD-XRF INXITU /DUETTO, Fourier Transform Infrared Spectroscopy (FTIR) instrumental methods.

Özet

Bu çalışmada Kapadokya Bölgesi, Ihlara Vadisi, Bizans Dönemi Aziz Daniel Kilisesi (Ağaçaltı Kilisesi) duvar resmi boya tabakası ve taşıyıcılarından alınan örnekler üzerinde; ESEM-EDX (Philips-FET XL 3D-ESEM-FEG OXFORD X MAX 80 mm2 Xray Detector/ INCA software), XRD (X Ray Diffraction/ X Işınımı Kırınımı), XRF (X Ray Fluorescence/ X-Işınları Floresans Spektrumu) (XRD-XRF INXITU /DUETTO), FTIR (Fourier Transform Infrared Spectroscopy) aletli analiz metotları kullanılarak; duvar resmi taşıyıcısı sıva ve boya tabakalarının stratigrafisi ve karakterizasyonu belirlenerek duvar resimlerinin yapım tekniği açığa çıkartılmıştır.

🔖

Cite This Article

ULUSOY, H. G. (2022). AN UNIQUE WALL PAINTING TECNIQE AT CAPPODOCCIA REGION IN IHLARA VALLEY CHURCH OF HAGIOS DANIEL (AGACALTI). Arkeoloji ve Sanat, Cilt: 163 - Sayı: 163, 137–146. https://ajindex.com/articles/448392

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (11)

  1. Bikiaris, D., S. Daniilia, S. Sotiropoulou, O. Katsimbiri, E. Pavlidou, A. P. Moutsatsou ve Y. Chryssoulakis 1999. “Ochre-Differentiation through Micro-Raman and Micro-FTIR Spectroscopies: Application on Wall Paintings at Meteora and Mount Athos, Greece”, Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 56/1: 3-18.
  2. Cheilakou, E., M. Troullinos ve M. Koui 2014. “Identification of pigments on Byzantine Wall Paintings from Crete (14th century AD) Using Non-Invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS)”, Journal of Archaeological Science 41: 541-555.
  3. Gülyaz, E. M. 2010.
  4. Dünya Mirasında Kapadokya. I. Baskı,
  5. Dijital Dünyası, İstanbul.
  6. Kostof, S. 1989.
  7. Caves of God, Cappadocia and Its Churches. Oxford University Press, New YorkOxford. Lafontaine- Dosogne, J. 1963. “Nouvelles Notes Cappadociennes”, Byzantion 33: 121-183.
  8. Restle, M. 1967. Byzantine Wall Painting in Asia Minor. New York Graphic Society, Greenwich. Ruth, E. ve L. Berggren 1931. The Phosphorus Content of Casein. Yale University, New Haven. Suzek, S. 2008. The Decoration of Cave Churches in Cappadocia under Selcuk Rule. University of Notre Dame, Indiana. Thierry, N. 1963. Nouvelles Églises Rupestres de Cappadoce. Région du Hasan Dağõ. Librairie C. Klincksieck, Paris. Ulusoy Günözü, H. 2017. “Kapadokya Bölgesi Ihlara Vadisi Kireç Bağlayıcılı Duvar Resmi Yapım Teknikleri Üzerine Bir Araştırma”, Ölümünün 50. Yılında Uluslararası M. Fuad Köprülü Türkoloji ve Beşeri Bilimler Sempozyumu (21-22 Kasım 2016) Bildirileri: 271-294.
  9. İstanbul Üniversitesi Yayınları,
  10. İstanbul.
  11. Winfield, D. C. 1968. “Middle and Later Byzantine Wall Painting Methods. A Comparative Study”, Dumbarton Oaks Papers 22: 61-139.