The purpose of this paper is to examine Adrienne Kennedy`s one act play Funnyhouse of a Negro with a view to highlight the continuous migration of the black soul, symbolically through her multiple identities, in relation to the immobile resistance of the black body while dealing with irreconcilable memories.
📌 3 Key Takeaways
🎯
Objective & Hypothesis:The purpose of this paper is to examine Adrienne Kennedy`s one act play Funnyhouse of a Negro with a view to highlight the continuous migration of the black soul, symbolically through her multiple identities, in relation to the immobile resistance of the black body while dealing with irreconcilable memories.
📊
Key Findings & Data:The purpose of this paper is to examine Adrienne Kennedy`s one act play Funnyhouse of a Negro with a view to highlight the continuous migration of the black soul, symbolically through her multiple identities, in relation to the immobile resistance of the black body while dealing with irreconcilable memories.
💡
Conclusion & Impact:The purpose of this paper is to examine Adrienne Kennedy`s one act play Funnyhouse of a Negro with a view to highlight the continuous migration of the black soul, symbolically through her multiple identities, in relation to the immobile resistance of the black body while dealing with irreconcilable memories.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters
Abstract
The purpose of this paper is to examine Adrienne Kennedy`s one act play Funnyhouse of a Negro with a view to highlight the continuous migration of the black soul, symbolically through her multiple identities, in relation to the immobile resistance of the black body while dealing with irreconcilable memories.
Özet
Bu çalışmanın amacı Amerikalı siyah kadın yazar Adrienne Kennedy’nin tek perdelik oyunu Funnyhouse of a Negro’daki kimlik arayışını ve onunla ilişkilendirerek, siyah kadın bedeninin, ruhunun uzlaşamadığı anılardan sembolik kaçışını incelemektir.
🔖
Cite This Article
TEKİN, İ. (2022). Öteki bedende göçmen ruhlar:Adrienne Kennedy'nin funnyhouse of a negro adlı oyununda kimlik arayışı. Anadolu Üniversitesi Sosyal Bilimler Dergisi, Cilt: 11 - Sayı: 2, 207–213. https://ajindex.com/articles/439178
Benston, K. W. (2000). Performing Blackness. London& New York: Routledge P. Davies, C. B. (1994).
Black Women, Writing and Identity: Migrations of the Subject. London and New York: Routledge P. Du Bois, W.E.B.(1994). The Souls of Black Folk. New York: Dover P. Fanon, F. (1967).
Black Skin, White Masks. New York: Grove P. Gates, H. L. Jr. (1988). The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York and Oxford: Oxford UP. Kennedy,A. (2001).`Funnyhouse ofANegro, In: The Adrienne Kennedy Reader (Werner Sollors (Ed.) Minneapolis&London: U of Minnesota P. Thompson, D. (1997).
Reversing Blackface Minstrelsy, Improvising Racial Identity: Adrienne Kennedy’s ‘Funnyhouse of a Negro’. Post Identity, Fall: 13-38