Journals / Trabzon İlahiyat Dergisi / 2017 / Cilt: 4 - Sayı: 1

Introduction to the philosophy of Taha Abdel Rahman

Pages
127–148
Publication Date
2017-07-15
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

As well, I provide examples of the term "reason" in which Tahastates essential notions, sets clear distinction between types of reasons, draws limits tothem, and finally calls to reconstruct the "guided reason".

📌 3 Key Takeaways

🎯
Objective & Hypothesis:This paper is expected to explore some parts of Taha Abdurrahman's philosophy, the Moroccanphilosopher, which encloses accumulated aspects in the field of his pedagogicalfoundation and epistemological approach in logic and language.
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Key Findings & Data:Ialso elaborate on examining the semantics of Taha's terminology and the possibilities ofapplying his approaches in order to attain creativity hand in hand with tradition.By the paper's conclusion, I mention some examples of terms which the philosopher recreates,such as the term of creativity linked to instinct and how the creative thinker establisheshis/her terminology.
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Conclusion & Impact:As well, I provide examples of the term "reason" in which Tahastates essential notions, sets clear distinction between types of reasons, draws limits tothem, and finally calls to reconstruct the "guided reason".
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Taha Abdurrahman · MEthod · mantık

Abstract

This paper is expected to explore some parts of Taha Abdurrahman's philosophy, the Moroccanphilosopher, which encloses accumulated aspects in the field of his pedagogicalfoundation and epistemological approach in logic and language. In addition, it presentshis creativity by resorting to various languages, such as English, German, French, Greek.Moreover, I shoud light on the technical, objective and conceptual approaches of Taha. Ialso elaborate on examining the semantics of Taha's terminology and the possibilities ofapplying his approaches in order to attain creativity hand in hand with tradition.By the paper's conclusion, I mention some examples of terms which the philosopher recreates,such as the term of creativity linked to instinct and how the creative thinker establisheshis/her terminology. As well, I provide examples of the term "reason" in which Tahastates essential notions, sets clear distinction between types of reasons, draws limits tothem, and finally calls to reconstruct the "guided reason".

Özet

This paper is expected to explore some parts of Taha Abdurrahman's philosophy, the Moroccanphilosopher, which encloses accumulated aspects in the field of his pedagogicalfoundation and epistemological approach in logic and language. In addition, it presentshis creativity by resorting to various languages, such as English, German, French, Greek.Moreover, I shoud light on the technical, objective and conceptual approaches of Taha. Ialso elaborate on examining the semantics of Taha's terminology and the possibilities ofapplying his approaches in order to attain creativity hand in hand with tradition.By the paper's conclusion, I mention some examples of terms which the philosopher recreates,such as the term of creativity linked to instinct and how the creative thinker establisheshis/her terminology. As well, I provide examples of the term "reason" in which Tahastates essential notions, sets clear distinction between types of reasons, draws limits tothem, and finally calls to reconstruct the "guided reason".

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Cite This Article

Kasım, M. E. (2017). Introduction to the philosophy of Taha Abdel Rahman. Trabzon İlahiyat Dergisi, Cilt: 4 - Sayı: 1, 127–148. https://ajindex.com/articles/248184

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References (1)

  1. حوارات من أجل المستقبل. ط 1. بيروت؛ الشبكة العربية للأبحاث والنشر، 2011 م. الحوار أفقا للتفكير. ط 1. بيروت؛ الشبكة العربية للأبحاث والنشر، 2013 م. من الإنسان الأبتر إلى الإنسان الكوثر. ط 1. بيروت؛ إبداع، 2016 م. سؤل المنهج في أفق التأسيس لأنموذج فكري جديد. بيروت؛ إبداع، 2015 م. سؤال العنف من الائتمانية إلى الحوارية. بيروت؛ إبداع، 2017 م. محمد أبو القاسم حاج حمد. منهجية القرآن المعرفية. ط 1. مؤمنون بلا حدود، 2003 م. مجلة المناظرة، العدد 3 حزيران/يونيو 1990 يوسف بني عدي. مشروع الإبداع الفلسفي العربي قراءة في أعمال طه عبد الرحمن. بيروت؛ الشبكة العربية للأبحاث والنشر، 2012 م.