Journals / Anadolu / 1976 / Sayı: 20

THE TYPOLOGY OF PALMETTE IN THE SELJUKID PERIOD

Selçuk Mülayim(ANKARA ÜNİVERSİTESİ)
Journal
Anadolu
Pages
—
Publication Date
1976-01-01
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Thus we can translate the word into contem-porary Turkish as “the main form of a thing; an example”.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:In general, the ternı “typology” describes a series of consistent types of species.
📊
Key Findings & Data:In different fields of Science, typology accepted as a comperative researclı method, which examines any kind of object in terms of its various types.
💡
Conclusion & Impact:Thus we can translate the word into contem-porary Turkish as “the main form of a thing; an example”.
🔬Design:Modeling & Simulation
📍Scope:Comprehensive Sample
⚙️Variables:TYPOLOGY · PERIOD · SELJUKID

Abstract

In general, the ternı “typology” describes a series of consistent types of species. In different fields of Science, typology accepted as a comperative researclı method, which examines any kind of object in terms of its various types. In the following pages, after giving general Information concerning typological methods, we will try to examine how to apply this method to a certain theme in the history of art. The source of the “typology” is “typos”, which in Greck means to strike, to print or figüre; a buman statue, a sample or a model. In Latin it has a similar meaning such as a figüre, image, low relief or character. In modern Western languages the word is accepted in the form “type” with the meaning of “type and model”. In the Ottonıan distionaries the equivalent of this ternı is “enmuzec”, and this word means “the essence of a figüre or example”. Thus we can translate the word into contem-porary Turkish as “the main form of a thing; an example”.

Özet

Öz In general, the ternı “typology” describes a series of consistent types of species. In different fields of Science, typology accepted as a comperative researclı method, which examines any kind of object in terms of its various types. In the following pages, after giving general Information concerning typological methods, we will try to examine how to apply this method to a certain theme in the history of art. The source of the “typology” is “typos”, which in Greck means to strike, to print or figüre; a buman statue, a sample or a model. In Latin it has a similar meaning such as a figüre, image, low relief or character. In modern Western languages the word is accepted in the form “type” with the meaning of “type and model”. In the Ottonıan distionaries the equivalent of this ternı is “enmuzec”, and this word means “the essence of a figüre or example”. Thus we can translate the word into contem-porary Turkish as “the main form of a thing; an example”.

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Cite This Article

Mülayim, S. (1976). THE TYPOLOGY OF PALMETTE IN THE SELJUKID PERIOD. Anadolu, Sayı: 20. https://doi.org/10.1501/andl_0000000195

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References (1)

  1. Ankara Üniversitesi- Ankara Anadolu (Anatolia) Dergisi