Journals / Amme İdaresi Dergisi / 2018 / Cilt: 51 - Sayı: 4

Richard Wagner’s Political and Cultural World of Thought Formed in His Arts

Richard Wagner’in Sanatında İnşa Ettiği Politik ve Kültürel Düşünce Dünyası

Pages
89–115
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Regarding, in this essay it is investigated how Richard Wagner’s artworks and ideas influenced to 19th and 20th century political thought and how the political thought affected Wagner’s artworks.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:lthough art and politics are dealt within different departments, those are interlaced disciplines.
📊
Key Findings & Data:Relating to this close relationship, one of the most important examples is Richard Wagner (1813-1883) who is one of the most significant composer of German opera.
💡
Conclusion & Impact:Regarding, in this essay it is investigated how Richard Wagner’s artworks and ideas influenced to 19th and 20th century political thought and how the political thought affected Wagner’s artworks.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Domain Parameters

Abstract

lthough art and politics are dealt within different departments, those are interlaced disciplines. It is remarkable that both art’s decisiveness over politics and politics’ decisiveness over art. Relating to this close relationship, one of the most important examples is Richard Wagner (1813-1883) who is one of the most significant composer of German opera. Wagner was not only a substantial authority in the field of music but also he became an ascendant person in the social and political area. Regarding, in this essay it is investigated how Richard Wagner’s artworks and ideas influenced to 19th and 20th century political thought and how the political thought affected Wagner’s artworks.

Özet

Sanat ve siyaset farklı disiplin alanları altında değerlendirilse de aslında birbiriyle iç içe olan disiplinlerdir. Gerek sanatın siyaset üzerinde gerekse siyasetin sanat üzerinde belirleyiciliği dikkat çekicidir. Bu yakın ilişki ekseninde en önemli örneklerden birisi de Alman operasının en saygın bestecilerinden olan Richard Wagner’dir (1813-1883). Wagner yalnızca Alman sanat tarihinde önemli bir otorite olmakla kalmamış aynı zamanda toplumsal ve siyasal alanda da etkin bir isim haline gelmiştir. Bu bağlamda hazırlanan makalede, sanat ve siyaset ilişkisi ekseninde Richard Wagner’in eserlerinin ve düşüncelerinin dönem siyasi düşünce tarihinde nasıl yankı bulduğu ve dönem siyasal düşüncelerinin Wagner’in eserlerini nasıl etkilediği incelenmiştir.

🔖

Cite This Article

SARITAŞ, İ. (2018). Richard Wagner’s Political and Cultural World of Thought Formed in His Arts. Amme İdaresi Dergisi, Cilt: 51 - Sayı: 4, 89–115. https://ajindex.com/articles/212825

References (10)

  1. Abosch, H. (1983, Temmuz 4-5). Kann das Böse banal sein? Gegen die Verharmlosung des Ungeheuerlichen. Süddeutsche Zeitung. Adorno, T. (1991). In Search of Wagner. New York: Verso. Adorno, T. (1994). Burgeosis Opera. Opera Through other Eyes. (Ed. D. Levin). Stan-ford: Stanford University Press.
  2. Beiser, F. (1992).
  3. Enlightenment, Revolution, and Romanticism: The Genesis of Modern German Political Thought, 1790-1800. London: Harvard University Press.
  4. Bermbach, U. (2005).
  5. Opernsplitter Aufsaetze, Essays. Würzburg: Köngshausen & Neumann. Bermbach, U. (2013). Die grosse Menchheitsrevolution/Wagners politish-aestetische Utopie und ihre Interpretation. Aus Politik und Zeitgeschichte 63. Berry, M. (2004). Richard Wagner and the Politics of Music-Drama. The Historical Jour-nal Vol. 47. Borchmeyer, D. (2013). Richard Wagners Antisemitismus. ApuZ(Aus Politik und Zeit-geschichte) 63. Dahlhaus, C. (1980). Between Romanticism and Modernism,. Berkeley: University of California Press.
  6. Dobbek, W. (1961). Johann Gottfried Herders Jugendzeit in Mohrungen und Königsberg. Marburger Ostforschungen, S.6. Fischer, J. M. ve Wagners, R. (2000). Das Judentum in der Muzik. Eine kritische Doku-mentation als Beitrag zur Geschichte des Antisemitismus. Geck, M. (2013). Lassen sich Werk und Künstler trennen? ApuZ(Aus Politik und Zeitges-chichte) 63. Gregor-Dellin, M. (1980). Richard Wagner-Sein Leben-Sein Werk-Sein Jahrhundert. Münih/Zürih. Greifhagen, M. (1972). Konservatismus in Deutschland. Stuttgart: Ernst Klett Verlag. Heister, H.-W. (2013). Eigenstaendigkeit und Egagement. Zu den politischen Dimen-sionen von Musik. ApuZ(Aus Politik und Zeitgeschichte) 63. Herder, J. G. (1969). Essay on the Original Language. Herder On Social and Political Culture. (Ed. F. M. Barnard) Cambridge: Cambridge University Press.
  7. Hess, M. (1961). Die europaeische Triarchie. A. Cornu, & W. Mönke içinde, Philoso-phische und sozialistische Schriften 1837-1850.
  8. Berlin. Kraus, O. (1894). Aus Heinrich Leos geschichtlichen Monatsberichten und Briefen. Alge-meine konservative Monatsschrift, 51. Kula, O. B. (2010). Hegel Estetigi ve Edebiyat Kuramı. İstanbul:
  9. Bilgi Universitesi Yayınları.
  10. Kunze, S. (1983). Der Kunst Begriff Richard Wagners. Kassel: Gustev Bosse Velag. Kutluk, F. (2018). Müzik ve Politika. İstanbul: h20 Kitap. Longman Active Study Dictionary of English. (1991). Romantic. Essex: Longman Group. Mack, D. (1978). Theaterarbeit an Wagners “Ring”. Münih/Zürih. Meyer, H. (1959). Richard Wagner in Selbstz