Journals / Overtones Ege Journal of English Studies / 2026 / Issue: 5

Post-Truth Sense of Body Horror in Ali Smith’s “The Hanging Girl”

Rana Sağıroğlu(SELÇUK ÜNİVERSİTESİ)0000-0002-2153-1228
Funda Civelekoglu(EGE ÜNİVERSİTESİ, EDEBİYAT FAKÜLTESİ)0000-0002-9986-9843
Pages
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Publication Date
2026-01-26
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

This article argues that “The Hanging Girl” exemplifies the aesthetic manifestations of the grotesque and the uncanny, frequently intertwining with body horror and post-truth narratives to illustrate the disorientation of contemporary life experiences.

📌 3 Key Takeaways

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Objective & Hypothesis:Ali Smith’s short story “The Hanging Girl” engages with death, grief, and sorrow by merging a surreal setting with reality and fantasy.
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Key Findings & Data:The story serves as a symbolic representation of global suffering, centring on the individual traumas of Pauline and the mysterious girl she finds hanging from a lamppost, thereby highlighting the larger context of the world’s present condition.
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Conclusion & Impact:This article argues that “The Hanging Girl” exemplifies the aesthetic manifestations of the grotesque and the uncanny, frequently intertwining with body horror and post-truth narratives to illustrate the disorientation of contemporary life experiences.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Ali Smith · “The Hanging Girl” · post-truth

Abstract

Ali Smith’s short story “The Hanging Girl” engages with death, grief, and sorrow by merging a surreal setting with reality and fantasy. The story serves as a symbolic representation of global suffering, centring on the individual traumas of Pauline and the mysterious girl she finds hanging from a lamppost, thereby highlighting the larger context of the world’s present condition. Pauline and other characters are exposed to images of war and death, which function as the constant bombardment of images desensitizing them, disrupting communication and intensifying their sense of isolation. By employing body horror, Smith directs the reader’s attention to the impact of media manipulation on individuals’ mental health and presents the body as a site of ambiguity. This paradox reflects the post-truth condition, wherein false narratives and emotional appeals override objective facts. The story critiques contemporary society, which perpetually undermines individual freedom, by challenging the concept of truth. This article argues that “The Hanging Girl” exemplifies the aesthetic manifestations of the grotesque and the uncanny, frequently intertwining with body horror and post-truth narratives to illustrate the disorientation of contemporary life experiences.

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Cite This Article

Sağıroğlu, R., Civelekoglu, F. (2026). Post-Truth Sense of Body Horror in Ali Smith’s “The Hanging Girl”. Overtones Ege Journal of English Studies, Issue: 5. https://ajindex.com/articles/1620339

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