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Journals / Sanat Tarihi Dergisi / 2015 / Cilt: 24 - Sayı: 2

Louis-Jacques-Mandé Daguerre and Charles Marie Bouton’s Diorama and Its Historical Origins

Louîs-Jacques-Mandé Daguerre Ve Charles Marie Bouton’un Dioraması Ve Tarihsel Kökenleri

Burcu BÖCEKLER
Pages
139–160
Publication Date
2016-08-17
DOI
—
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

After, will be explained history of Diorama, exhibition system in Diorama and exhibited paintings in Diorama.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Diorama was invented by Louis-Jacques-Mandé Daguerre and Charles Marie Bouton.
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Key Findings & Data:Diorama consists from two Greek words: dia which means “through” and –orama which means “scene-sight”.
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Conclusion & Impact:After, will be explained history of Diorama, exhibition system in Diorama and exhibited paintings in Diorama.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Louis-Jacques-Mandé Daguerre · Panorama · Diorama

Abstract

Diorama was invented by Louis-Jacques-Mandé Daguerre and Charles Marie Bouton. Diorama consists from two Greek words: dia which means “through” and –orama which means “scene-sight”. Paintings painted with camera obscura by Louis-Jacques-Mandé Daguerre and his partner painter Charles Marie Bouton. These paintings were exhibited in dark hall in Diorama. The subjects of the displayed paintings are Gothic cathedrals, avalanche falling, harbour views and fires. Primary purpose of Diorama, give to audience time and motion perception with different light and filter systems. Firstly, in this study, will be examined short history of displays before Diorama. After, will be explained history of Diorama, exhibition system in Diorama and exhibited paintings in Diorama.

Özet

Diorama, Louis-Jacques-Mandé Daguerre ve Charles Marie Bouton tarafından icat edilmiştir. Diorama kelimesi, Yunanca “bir uçtan bir uca” anlamına gelen dia ve “sahne-manzara” anlamına gelen -orama kelimelerinin birleşmesinden oluşmuştur. Diorama’da Louis-Jacques-Mandé Daguerre ve ortağı ressam Charles Marie Bouton tarafından camera obscura ile yapılan resimler Diorama’daki karanlık bir salonda sergilenir. Sergilenen resimlerin konusunu kent görünümleri, Gotik katedraller, çığ düşmesi, liman sahneleri ve yangınlar oluşturur. Diorama’nın temel amacı, farklı ışık ve filtre sistemleri ile izleyiciye hareket ve zaman algısını vermektir. Bu çalışmada, öncelikle Diorama’dan önce gerçekleştirilen gösterilerin tarihi incelenecektir. Ardından Diorama’nın tarihi, Diorama’daki sergileme sistemi ve Diorama’da sergilenen resimler anlatılacaktır.

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Cite This Article

BÖCEKLER, B. (2016). Louis-Jacques-Mandé Daguerre and Charles Marie Bouton’s Diorama and Its Historical Origins. Sanat Tarihi Dergisi, Cilt: 24 - Sayı: 2, 139–160. https://ajindex.com/articles/15892

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