Journals / Sanat Tarihi Dergisi / 2016 / Cilt: 25 - Sayı: 1

Women Artists in Byzantium

Bizans'ta Kadın Sanatçılar

Pages
111–138
Publication Date
2016-08-17
DOI
—
🏛️Bibliographic metadata and full text access for this article are provided via DergiPark.
DergiPark Record ↗
✨

AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Despite the low number of women artists, effective life stories are evidence determination and power of Byzantine women.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:A large portion of the Byzantine artists' names have not survived, because of the small number of extant works and anonymity manners preventing the signature works.
📊
Key Findings & Data:However, when the recognition of the work male artists' produce is even very difficult, some of the women artists have been able to achieve today with the works.
💡
Conclusion & Impact:Despite the low number of women artists, effective life stories are evidence determination and power of Byzantine women.
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Bizanslı sanatçılar · kadın sanatçılar · Thedora Raoulaina

Abstract

A large portion of the Byzantine artists' names have not survived, because of the small number of extant works and anonymity manners preventing the signature works. However, when the recognition of the work male artists' produce is even very difficult, some of the women artists have been able to achieve today with the works. Despite all the restrictions of Byzantine patriarchal ideology, Byzantine women artists who produced the textile, copy books, literature, theatre, music and painting, revolted against the Byzantine ideology by producing works. Despite the low number of women artists, effective life stories are evidence determination and power of Byzantine women.

Özet

Bizans sanatından günümüze ulaşan eser sayısının azlığı, sanatçıların eserlerinin altına imzalarını atmalarını engelleyen anonim faaliyet inanışı; Bizanslı sanatçı isimlerinin büyük bir kısmının günümüze ulaşmasını neredeyse imkansız hale getirmiştir. Bununla birlikte; erkek sanatçıların bile eserleri ile anılmalarının çok zor olduğu bir toplumda, bazı kadın sanatçılar eserleri ile birlikte günümüze ulaşmayı başarmışlardır. Tekstil, kitap kopyalama, edebiyat, gösteri sanatları, müzik ve resim sanatı gibi sanat dallarında ürün veren Bizanslı kadın sanatçılar, tüm kısıtlamalara rağmen eserlerini üreterek, kadınları evlerine hapseden ataerkil Bizans ideolojisine başkaldırmışlardır. Sayılarının az olmasına karşılık etkili hayat hikâyeleri Bizanslı kadınların azmini ve gücünü kanıtlar niteliktedir.

🔖

Cite This Article

CANKO, D. M. (2016). Women Artists in Byzantium. Sanat Tarihi Dergisi, Cilt: 25 - Sayı: 1, 111–138. https://ajindex.com/articles/15889

📄 Full Text PDF Viewer

📄

PDF görüntüleyici hazırlanıyor...

References (9)

  1. And 1962,
  2. Metin And, Bizans Tiyatrosu, Forum Yayınları, 1962, Ankara. Brand 1993, Charles M. Brand, "Some Byzantine Women of Thebes-and Elsewhere", TO EΛΛHNIKON Studies in Honor of Speros Vryonis Volume 1 Hellenic Antiquity and Byzantium, ed: J. Langdon, S.W.Reinert, J.S.Allen, C.P.Ioannides, 23-43. New York: 1993., s: 59-68. Brashier 2012, Rachel Nicole Brashier, “Voice of Women in Byzantine Music Within the Greek Orthodox Churches in America”, B.M., Eastern Illinois Universitesi, master tezi, 2012, Erişim tarihi: 14.12.2015: http://opensiuc.lib.siu.edu/theses Buckler 1929,
  3. Georgina Bucler, Anna Comnena A Study, Oxford Univercity Press, London, 1929. Carr 1976, Annemarie Weyl Carr, “Women As Artists in the Middle Ages”, The Feminist Art Journal 5/1, 1976, 1-9, not: 26. Carr 1985, Annemarie Weyl Carr, "Women and Monasticism in Byzantium: Introduction from an Art Historian", Byzantinische Forschungen 9, 1985, 1–15. Carr 1997, Annemarie Weyl Carr "Women as Artists in the Middle Ages, or The Dark is Light Enough," Dictionary of Women Artists 1, ed: Delia Gaze, Fitzroy Dearborn Publishers, London, 1997, 15-21. Connor 2011,
  4. Carolyn Connor, Bizans'ın Kadınları, 2011,
  5. Yapı Kredi Yayınları, İstanbul. Cormack 1997,
  6. Robin Cormack, Byzantine Art, Oxford History of Art Series, Oxford Univercity Press, 2000. Cutler ve Kazhdan 1991, Anthony Cutler ve Alexander Kazhdan, “Lazaros”, The Oxford Dictionary of Byzantium 2, Ed: Alexander P. Kazhdan, Alice-Mary Talbot, Anthony Cutler, Timothy E. Gregory, Nancy Patterson Ševčenko, Oxford Univercity Press, 1991, New York, 1197-1198. Cutler 1991, Anthony Cutler, “Pantoleon”, The Oxford Dictionary of Byzantium 3, Ed: Alexander P. Kazhdan, Alice-Mary Talbot, Anthony Cutler, Timothy E. Gregory, Nancy Patterson Ševčenko, Oxford Univercity Press, 1991, New York, 1576. Cutler 1991, Anthony Cutler, “Artists”, The Oxford Dictionary of Byzantium 1, Ed: Alexander P. Kazhdan, Alice-Mary Talbot, Anthony Cutler, Timothy E. Gregory, Nancy Patterson Ševčenko, Oxford Univercity Press, 1991, New York, 196-201. Çağlan 2011, Suat Başar Çağlan, “Aleksiad Üzerinden Bizans Edebiyatında Düzyazı”, Ege Üniversitesi Sosyal Bilimler Enstitüsü yayınlanmamış yüksek lisans tezi, İzmir, 2011. Dyck 1986, Andrew Dyck, “On Cassia, Κύριε ἡ Ἐν Πολλαῖς.”, Byzantion 46, 1986, 63-76. Geanakoplos 1959,
  7. Deno John Geanakoplos, Emperor Michael Palaeologos and the West 1258-1282,
  8. Harvard Univercity Press, Cambridge Massachusetts, 1959. Gregory 2008,
  9. Timothy Gregory, Bizans