Journals / Adıyaman Üniversitesi Sosyal Bilimler Enstitüsü Dergisi / 2025 / Sayı: 51

AN INTERTEXTUAL APPROACH TO CENGIZ ŞENOL'S EV YARASI

CENGİZ ŞENOL’UN EV YARASI’NA METİNLERARASI BİR YAKLAŞIM

Şeyma Büyükkavas Kuran(ONDOKUZ MAYIS ÜNİVERSİTESİ)0000-0002-2455-7482
Pages
314–343
Publication Date
2025-12-31
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

Şenol's poetry captures originality by reproducing tradition.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:Ev Yarası is poet Cengiz Şenol's first poetry collection, spanning his twenty-five-year career as a poet.
📊
Key Findings & Data:The work is written in a pure poetic style, continuing İkinci Yeni poetry style.
💡
Conclusion & Impact:Şenol's poetry captures originality by reproducing tradition.
🔬Design:Araştırma Makalesi
📍Scope:Comprehensive Sample
⚙️Variables:Ev Yarası · Cengiz Şenol · Metinlerarasılık

Abstract

Ev Yarası is poet Cengiz Şenol's first poetry collection, spanning his twenty-five-year career as a poet. The work is written in a pure poetic style, continuing İkinci Yeni poetry style. Şenol's poetry consists of few but meaningful poems that focus on words. The techniques of poetry writing and the intertextual relationships established with words and images are notable in this poetry. Intertextuality creates a multi-layered, deep world of meaning in Şenol's poetry. An infinite intertextual network is established with words and images commonly used in modern Turkish poetry. This network creates a rich field of cultural associations. Intertextual connections are established with the poetry of Ahmet Haşim, Ahmet Hamdi Tanpınar, Ahmet Muhip Dıranas, Behçet Necatigil, and Hilmi Yavuz with the words and images such as home, evening, rose, September, autumn, ah, sadness, summer, water, sea, mother, father, child, bird, garden, mirror, door, doorway, blood, emptiness, dream, wound, word, language, poetry, letter, writing... Şenol's poetry captures originality by reproducing tradition.

Özet

Ev Yarası is poet Cengiz Şenol's first poetry collection, spanning his twenty-five-year career as a poet. The work is written in a pure poetic style, continuing İkinci Yeni poetry style. Şenol's poetry consists of few but meaningful poems that focus on words. The techniques of poetry writing and the intertextual relationships established with words and images are notable in this poetry. Intertextuality creates a multi-layered, deep world of meaning in Şenol's poetry. An infinite intertextual network is established with words and images commonly used in modern Turkish poetry. This network creates a rich field of cultural associations. Intertextual connections are established with the poetry of Ahmet Haşim, Ahmet Hamdi Tanpınar, Ahmet Muhip Dıranas, Behçet Necatigil, and Hilmi Yavuz with the words and images such as home, evening, rose, September, autumn, ah, sadness, summer, water, sea, mother, father, child, bird, garden, mirror, door, doorway, blood, emptiness, dream, wound, word, language, poetry, letter, writing... Şenol's poetry captures originality by reproducing tradition.

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Cite This Article

Kuran, Ş. B. (2025). AN INTERTEXTUAL APPROACH TO CENGIZ ŞENOL'S EV YARASI. Adıyaman Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, Sayı: 51, 314–343. https://doi.org/10.14520/adyusbd.1775421

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