Journals / Balıkesir Üniversitesi Sosyal Bilimler Enstitüsü Dergisi / 2018 / Cilt: 21 Sayı: 40

“Kamberlik/Zakirlik” Tradition in Cem Ceronomies: Example of Balikesir Chepnis

CEM TÖRENLERİNDE KAMBERLİK/ZÂKİRLİK GELENEĞİ: BALIKESİR ÇEPNİLERİ ÖRNEĞİ

Halil İbrahim Şahin(BALIKESİR ÜNİVERSİTESİ)0000-0002-3914-4779
Pages
107–126
Publication Date
2018-12-15
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

It has been found that “kamber”s in Chepni districts mostly perform poems of folk poets such as Pir Sultan Abdal, Şah Hatayî and Kul Himmet and do not include their own poems in the “cem” ceremonies.

📌 3 Key Takeaways

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Objective & Hypothesis:Normal 0 21 false false false TR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normal Tablo"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Calibri","sans-serif";} The data of this article aiming to determine the roles of cambers or judges in the ceremonial ceremonies of Balıkesir Chepni were obtained as a result of interviews with source persons who carried out cambering services in field research.
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Key Findings & Data:In this study which focuses on the “cem” stages of the Chepni people living in Balıkesir and the roles of “kamber” in these stages, the poems of the “kamber”s were examined in the “cem” order.
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Conclusion & Impact:It has been found that “kamber”s in Chepni districts mostly perform poems of folk poets such as Pir Sultan Abdal, Şah Hatayî and Kul Himmet and do not include their own poems in the “cem” ceremonies.
🔬Design:Lab & Field Experiment
📍Scope:Comprehensive Sample
⚙️Variables:Balıkesir · Çepni · Cem

Abstract

Normal 0 21 false false false TR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normal Tablo"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Calibri","sans-serif";} The data of this article aiming to determine the roles of cambers or judges in the ceremonial ceremonies of Balıkesir Chepni were obtained as a result of interviews with source persons who carried out cambering services in field research. In this study which focuses on the “cem” stages of the Chepni people living in Balıkesir and the roles of “kamber” in these stages, the poems of the “kamber”s were examined in the “cem” order. As a result of the determinations and evaluations, it was seen that after the person who named “dede” and the administration of the “cem” ceremonies in the execution of the Chepni courts, the “kamber”s had a very important importance in order to perform the ceremony. Starting with the stages of the preparations of the ceremonies of the “cem” ceremonies and services in the implementation of the ceremony of the worship of “kamber”s have contributed to the “nefes”. Even in the absence of the poems and music performed by the “kamber”, it is not possible to implement the application in the “cem”. “Kamber”, who are in close relationship with the Turkish folk poetry tradition, often say the poems of the great bards in their ceremonies and do not make any changes in these poems. It has been found that “kamber”s in Chepni districts mostly perform poems of folk poets such as Pir Sultan Abdal, Şah Hatayî and Kul Himmet and do not include their own poems in the “cem” ceremonies.

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Cite This Article

Şahin, H. İ. (2018). “Kamberlik/Zakirlik” Tradition in Cem Ceronomies: Example of Balikesir Chepnis. Balıkesir Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, Cilt: 21 Sayı: 40, 107–126. https://doi.org/10.31795/baunsobed.492912

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