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Journals / Konservatoryum / 2026 / Cilt: 12 Sayı: 1

Arabic Music Conference 1932 Committees “Committee of Makams, Rhythm, and Composition”

Mohamed Mostafa Ahmed Mohamed(İstanbul Technical University, Turkish Music State Conservatory, Department of Musiology)0009-0005-1947-3873
Gözde Çolakoğlu Sarı(İstanbul Technical University, Turkish Music State Conservatory, Department of Musiology)0000-0001-5586-3426
Ozan Baysal(İstanbul Technical University, Turkish Music State Conservatory, Department of Musiology)0000-0002-7271-9095
Pages
110–128
Publication Date
2025-06-30
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

By accurately presenting these insights, we fulfil the scientific responsibility to preserve the legacy and depth of the discussions essential in shaping our understanding of Arabic music during this time.

📌 3 Key Takeaways

🎯
Objective & Hypothesis:The 1932 Cairo conference was a significant event that comprised seven committees, particularly the Committee of Makams, Rhythm, and Composition.
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Key Findings & Data:The outcomes of their deliberations were documented and subsequently published in the 1932 conference book.
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Conclusion & Impact:By accurately presenting these insights, we fulfil the scientific responsibility to preserve the legacy and depth of the discussions essential in shaping our understanding of Arabic music during this time.
🔬Design:Araştırma Makalesi
📍Scope:Comprehensive Sample
⚙️Variables:1932 conference · Committee of Makams-Rhythm and Composition · Committee minutes and reports

Abstract

The 1932 Cairo conference was a significant event that comprised seven committees, particularly the Committee of Makams, Rhythm, and Composition. This committee is of paramount importance as it underscores two fundamental elements of music: scales and rhythms. In Arabic and oriental music, these scales are termed makams, highlighting the committee's vital role in exploring the intricate makams and rhythms central to the conference discussions. The scientific research associated with this committee aimed to investigate the notations, musical symbols, names, and forms of the makams presented. The committee scrutinized the submitted reports and made decisions that enhanced the collective understanding of these musical elements. The outcomes of their deliberations were documented and subsequently published in the 1932 conference book. It is imperative to approach the analysis of these committee minutes and reports with rigor and scholarly integrity. By accurately presenting these insights, we fulfil the scientific responsibility to preserve the legacy and depth of the discussions essential in shaping our understanding of Arabic music during this time.

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Cite This Article

Mohamed, M. M. A., Sarı, G. Ç., Baysal, O. (2025). Arabic Music Conference 1932 Committees “Committee of Makams, Rhythm, and Composition”. Konservatoryum, Cilt: 12 Sayı: 1, 110–128. https://doi.org/10.26650/CONS2025-1658504

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