Journals / İdil Sanat ve Dil Dergisi / 2012 / Cilt: 1 Sayı: 4

Islam sanat felsefesinde renk teorisi

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Publication Date
2020-04-21
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

In this study, within the framework of Islamic philosophy of art, the relationship between artist and artwork/subject is conceptually defined and it is evaluated in terms of colour theory and practice.\r\n

📌 3 Key Takeaways

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Objective & Hypothesis:\r\n The philosophy of art is a branch of philosophy dealing with the essence and meaning of art, artistic creations and tastes.
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Key Findings & Data:Differences between civilizations might differentiate how they view art and their aesthetic attitude towards artistic work.
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Conclusion & Impact:In this study, within the framework of Islamic philosophy of art, the relationship between artist and artwork/subject is conceptually defined and it is evaluated in terms of colour theory and practice.\r\n
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Sanat · Sanat felsefesi · Renk

Abstract

\r\n The philosophy of art is a branch of philosophy dealing with the essence and meaning of art, artistic creations and tastes. Differences between civilizations might differentiate how they view art and their aesthetic attitude towards artistic work. The emergent work in its completed state attains the identity of artistic work. From an aesthetic point of view, it gains a universal characteristic. However, the relationship between artist-artwork and that of artwork-subject become dissimilar in themselves. In this study, within the framework of Islamic philosophy of art, the relationship between artist and artwork/subject is conceptually defined and it is evaluated in terms of colour theory and practice.\r\n

Özet

\r\n Sanat felsefesi, sanatın, sanatsal yaratmaların ve beğenilerin özü ve anlamını konu olarak ele alan bir felsefe dalıdır. Medeniyetler arasındaki farklılıklar, onların sanata bakışını ve sanat eserine karşı aldıkları estetik tavrını da farklılaştırabilir. Meydana gelen eser, bitmiş haliyle sanat eseri kimliğine kavuşur. Bu haliyle plastik açıdan evrensel bir nitelik kazanır. Ancak kendi içinde sanatçı- sanat eseri ve sanat eseri- süje ilişkisi farklılaşır. Bu araştırmada, İslam sanat felsefesi çerçevesinde sanatçı- sanat eseri ve süje ilişkisi kavramsal olarak tanımlandıktan sonra, renk teorisi ve pratiği açısından değerlendirilmiştir.\r\n

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Cite This Article

TAŞ, Y. D. D. M. (2020). Islam sanat felsefesinde renk teorisi. İdil Sanat ve Dil Dergisi, Cilt: 1 Sayı: 4. https://ajindex.com/articles/1027802

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