Journals / Akademik Bakış - Uluslararası Hakemli Sosyal Bilimler Dergisi / 2011 / Cilt: 1 Sayı: 27

Vasıf öngören’in tiyatrolarında kadın

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Publication Date
2020-04-21
DOI
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AI Summary & Key Takeaways

AI Insight
⚡ TL;DR(Too Long; Didn't Read)

The oppressor, the oppressed, the one who falls in love, the deceived and the woman who manages are the cornerstone of his works.\r\n

📌 3 Key Takeaways

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Objective & Hypothesis:\r\n The subject "woman" has become morefunctional in our literature with the Tanzimat Literature.
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Key Findings & Data:With Republic, woman begins to find herself a place a lot in both real life and literary texts.
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Conclusion & Impact:The oppressor, the oppressed, the one who falls in love, the deceived and the woman who manages are the cornerstone of his works.\r\n
🔬Design:Research Article
📍Scope:Comprehensive Sample
⚙️Variables:Tiyatro · Aşk · Anne

Abstract

\r\n The subject "woman" has become morefunctional in our literature with the Tanzimat Literature. With Republic, woman begins to find herself a place a lot in both real life and literary texts. In Vasıf Öngören's theatres, woman is in an active position who struggles against life. Woman is in a questioning attitude; she knows what she wants. The oppressor, the oppressed, the one who falls in love, the deceived and the woman who manages are the cornerstone of his works.\r\n

Özet

\r\n Kadın konusu edebiyatımızda Tanzimatla beraber daha işlevsel hale gelmiştir. Cumhuriyetle beraber kadın hem gerçek hayatta hem de edebi metinlerde kendine çokça yer bulmaya başlar. Vasıf Öngören'in tiyatrolarında kadın hayata müdahale eden etkin bir konumdadır. Kadın sorgulayıcı bir tavırdadır ne istediğini bilir. Ezen, ezilen, aşık olan, aldatılan ve yöneten kadın onun eserlerinin temel taşıdır.\r\n

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Cite This Article

ADIYAMAN, H. (2020). Vasıf öngören’in tiyatrolarında kadın. Akademik Bakış - Uluslararası Hakemli Sosyal Bilimler Dergisi, Cilt: 1 Sayı: 27. https://ajindex.com/articles/1025751

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