Louis Aragon'un le Paysan de Paris (Paris Köylüsü) Adlı Yapıtında Felsefenin İzleri

Abstract

The play of juxtaposition of realities and heterogeneous elements seems to be a principle of writing of the text of Louis Aragon, as it is the case in his Le Paysan de Paris. Heterogeneity is a systematic part taken by Aragon throughout his work. Indeed, the registers mingle with it, and the forms are completely diverse; by the irruption of various joinings in textual space, Aragon unceasingly interrupts the thread of its account, changes completely thus our design of literature. The author refuses the ' thus' of logic, in the account of the error and chance, multiplies the number of all kinds of references: mimetic, artistic, philosophical; the writing of others, always had in his universe and esthetics a considerable importance. The number of authors or literary and philosophical movements cited in his text underlines the place of the writing in his inspiration. Privileging the references made to the various philosophers, we will endeavour to show the polyphonic character of Le Paysan de Paris, which is a hybrid and disjointed story.