Dergiler / Folklor/Edebiyat / 2022 / Cilt: 28 - Sayı: 109
William Golding’in Serbest Düşüş Romanının Kurgusal Otobiyografi ve Travma Anlatısı Olarak İncelemesi
- Dergi
- Folklor/Edebiyat
- Sayfa
- 155–168
- DOI
- —
Özet
William Golding’s 1959 Free Fall depicts the narrator/character Samuel Montjoy’sretrospective interrogation of his past in his “non-chronological” autobiographyto understand his present self. His first-person narration is a journey into hismemories presented according to their importance for him at different stages ofhis life (the narrated self) and shows the role of memory in shaping the present self(the narrating self). The narrator regulates his memories to conceive a coherentpattern in his autobiographical account which will also give meaning to his lifeand help construct a unified identity. However, he adopts a structure that has torely on his remembering/forgetting, which problematizes the idea of constructingthe self through unreliable memory. With this quality of the novel as an early example of the “fiction of memory,” Golding’s text is inventive and looks forwardto contemporary narrative approaches to autobiographical writing. Free Fall hasbeen widely studied as an existentialist novel due to the novelist’s questioningthe concepts of freedom to choose and fall through the protagonist’s quest forself-knowledge. However, the aim of this study is to analyse Golding’s work asautobiografiction and trauma narrative where the text presents an account of theprotagonist’s attempt for reconstructing the self through memories subject to hismodifications and offers the therapeutic use of his self-narration.
Abstract
William Golding’s Free Fall depicts the narrator/character Samuel Montjoy’s retrospective interrogation of his past in his “non-chronological” autobiography to understand his present self. His first-person narration is a journey into his memories presented according to their importance for him at different stages of his life (the narrated self) and shows the role of memory in shaping the present self (the narrating self). The narrator regulates his memories to conceive a coherent pattern in his autobiographical account which will also give meaning to his life and help construct a unified identity. However, he adopts a structure that has to rely on his remembering/forgetting, which problematizes the idea of constructing the self through unreliable memory. With this quality of the novel as an early example of a fiction of memory, Golding’s text is inventive and looks forward to contemporary narrative approaches to autobiographical writing. The aim of this study is to analyse Golding’s work as autobiografiction and trauma narrative where the text presents an account of the protagonist’s attempt for reconstructing the self through memories subject to his modifications and offers the therapeutic use of his self-narration.