| A REVIEW ON THE DEVELOPMENT OF GLASS PRODUCTIONS OF DIFFERENT CULTURES AND CIVILIZATIONS FROM THE BRONZE AGE TO THE OTTOMAN IN ANATOLIAN GEOGRAPHY | Tamer ASLAN | 1–19 |
| THE TURKISH PRISON PHENOMENON AND THE IMAGES OF TURKEY AND TURKS IN AMERICAN CINEMA: AN ANALYSIS OF THE MOVIES "MIDNIGHT EXPRESS","PASSPORT TO TERROR" AND "PRISON HEAT" | Melih ÇOBAN | 20–35 |
| TRADITIONAL NATIONAL FUNERAL PRACTICE: CULTURAL TEXT AND SOCIAL CONTEXT | Olena IVANOVSKA | 35–43 |
| A DAILY LIFE LYRIC SONG AS A FOLKLORE TEXT | Lübov KAPANITSYA | 44–56 |
| INTERDISCIPLINARY APPROACHES IN DESIGN EDUCATION and DESIGN THINKING MODEL | Ahsen ÖZTÜRK | 57–72 |
| EVALUATION OF SOCIOLOGICAL CONTEXT MAGAZINE COVERS DESIGNS AND COMMERCIAL DIRECTION | Orhan SEVİNDİK | 73–84 |
| MEDICAL ILLUSTRATION AS A INTERDISCIPLINARY FORMATION AND THE FIRST EXAMPLE IN TURKEY: ONDOKUZ MAYIS UNIVERSITY INSTITUTE OF FINE ARTS MEDICAL ILLUSTRATION GRADUATE PROGRAM | Ali SEYLAN | 85–93 |
| MULTI-DISCIPLINARY EFFECTS OF NEW MEDIA TECHNOLOGIES IN ARTISTIC PRODUCTION IN THE CONTEXT OF TECHNO-CULTURE | Ali SEYLAN, Engin GÜNEY | 94–104 |
| BAUHAUS FURNITURE DESIGNS REFLECT ON TODAY\'S FURNITURE DESIGNS AS AESTHETIC PRODUCTION IN THE CONTEXT OF INTERCULTURAL INTERACTION AND COMMUNICATION | Tarık YAZAR, Ali TOMAK, Hikmet ÖZTÜRK | 105–128 |
| POINTILLISM FROM THE WORKS OF PAINTER SEURAT’S “A SUNDAY AFTERNOON ON THE ISLAND OF LA GRANDE JATTE” AND COMPOSER WEBERN’S “SYMPHONY, OP. 21” | Bülent YÜKSEL | 129–143 |