| Woman Leadership In The Alternative Theatre Structures In Turkey And An Example: Yeşim Özsoy - GalataPerform | Bengi Heval ÖZ, Özlem BELKIS | 1–22 |
| A HISTORICAL MUSICOLOGICAL DISCUSSION IN SEARCH OF SYNTHESES: CONSTRUCTING NATIONAL MUSIC IN THE REPUBLICAN ERA | Bilen IŞIKTAŞ | 23–53 |
| THE UNICORN and the LADY under the view of the analysis of design and execution of the Middle Age | Günseli TOKER | 55–72 |
| REDEFINITION OF LUXURY FASHION BRANDING THROUGH SUSTAINABILITY RENAISSANCE: RE(F)USE CASE | Hande Bilsel | 73–87 |
| USE OF NONDESTRUCTIVE ARCHEOMETRIC METHODS AND TOOLS EMPLOYED IN GEOLOGY AND GEMOLOGY IN CONTEMPORARY ARCHEOLOGY AND THEIR NECESSITY | Hilmi Güney | 89–98 |
| AMBLEM / LOGO DESIGN TRENDS IN THE CONTEXT OF DIGITAL EPOCH NEW TENDENCY | Hüseyin UZUNTAŞ, Yrd. Doç. Dr. Tarık YAZAR | 99–112 |
| REFLECTIONS OF TENT TRADITION IN THE TURKISH TO OTTOMAN MINIATURE ART | Kamile Akın, Doç. Yusuf KEŞ | 113–128 |
| INSTRUMENT OF IMPRESSION MANAGEMENT IN INTERNATIONAL RELATIONS: PROPAGANDA CINEMA | Laçin AKYIL | 129–139 |
| TRANSITION FROM TECHNIQUE TO ESTHETICS: FORMATION AND DEVELOPMENT OF GAME DESIGNER | Mahmud Selman ÖZKEÇECİ, Orhan SEVİNDİK | 141–153 |
| MCA CHICAGO’ S ARCHITECTURAL DESIGN PROCESS By JOSEF PAUL KLEIHUES; A CONTEMPORARY ART MUSEUM’S ARCHITECTURAL TYPOLOGY AND NATURAL/ ARTIFICIAL LIGHTING STUDIES | Meltem Giray | 155–170 |
| MUSIC EDUCATION AND MUSIC INSTITUTIONS IN OTTOMAN PALACES | Pınar SOMAKCI | 171–182 |
| THE HISTORY OF SAZ, AŞIKLIK TRADITION IN KARAPAPAK TURKS THROUGH ARCHEOLOGICAL EXCAVATIONS | Rafiq IMRANİ | 183–207 |
| Sociological Context of Surface Materiality in Kiefer'S | Sıla Güven | 209–218 |
| DESIGN OF SPACE WITHIN THE CONTEXT OF AUDIENCE-EXHIBITION INTERACTION IN MUSEUM EXHIBITION |