| CULTURAL DIFFERENCES IN ADVERTISING: AN EXAMPLE OF TURKEY AND AUSTRALIA TEA ADS | Ayse IRI | 1–17 |
| FAUST IN VISUAL ARTS AS STORYTELLING | Cumhur Okay ÖZGÖR | 19–35 |
| ART AS A LIE: REALITY, TRUTH AND LIE | Deniz KOŞAR | 37–56 |
| A REFLECTION OF JOAN MİRÓ’S PERSONAL AND SPIRITUAL STATE IN HİS WORKS | Fahrettin GEÇEN | 57–66 |
| CONTEMPORARIES CONNECTED TO THE PAST: YINKA SHONIBARE, RUSSELL CONNOR, CESAR SANTOS AND HERMAN BRAUN-VEGA | Figen GİRGİN | 67–84 |
| THE REFLECTION of TURKISH MYTHOLOGY on PLASTIC ARTS | Hasan BALTACI | 85–100 |
| BIOMIMETIC APPLICATIONS IN TEXTILE AND CLOTHING DESIGN | Hilal SEVENCAN | 101–118 |
| INTERIOR EFFECTS OF ILLUSTRATION ART AND SPACE DESIGN IN TWO DIMENSIONAL EFFECTS | Hülya YAVUZ ÖDEN | 119–135 |
| NEW THEATRE AND NEW WAYS OF PLAYWRITING: YEŞİM ÖZSOY AND PLAYWRITING | Özlem ERBEN | 137–149 |
| ART MANAGEMENT AND CURATORSHIP IN TODAY’S TEXTILE ART AS SPECIFIC TO TURKEY | Özlem ERZURUMLU JORAYEV | 151–173 |
| THE IMPORTANCE OF CREATIVE PROCESS IN FASHION DESIGN | Özlem KAYA | 175–183 |
| THE RELATIONSHIP BETWEEN TOURISTIC OBJECT AND CITY IDENTITY: BASED ON ORDU CITY EXAMPLE | Şahin KAMBER | 185–207 |
| REVIEW OF ABSTRACT-FIGURATIVE PAINTINGS OF BEDRİ KARAYAĞMURLAR IN THE LIGHT OF “ABSTRACT AND EMPATHY” THEORY OF WORRİNGER | Seda AĞIRBAŞ | 209–225 |
| A STUDY ON CHILD AND SPACE PERCEPTION | Seda CANOĞLU | 227–237 |
| YAĞLI BOYA RESİMLERİN SAKLAMA KOŞULLARINA BAĞLI RENK DEĞİŞİMİ VE YÜZEYSEL YIPRANMALARININ TESPİTİ | Şehnaz YALÇIN | 239–249 |
| AN ESSAY ON SYMBOLIC NARRATIVES OF ISLAMIC ARCHITECTURE |