| REFLECTIONS ABOUT THE LITERACY CAMPAIGN IN THE EARLY REPUBLIC PERIOD TURKISH PAINTING | Ahmet DALKIRAN | 1–13 |
| FACING TRASH IN THE SHADOW OF THE SOCIETY AS A SIGN OF CONTEMPORARY ART | Ebru DEDE | 15–28 |
| DIGITAL GARMENT DESIGN SOFTWARE AND USE IN WOMEN’S CLOTHING | Esra ÖĞÜLMÜŞ, Mustafa ÜREYEN | 29–49 |
| THE EFFECTS OF FEMINIST ART ON THE WORKS OF WOMEN ARTISTS IN ART AFTER 1960 | Fergana KOCADORU | 51–58 |
| A COMPARISON OF MONOHULL AND TWIN-HULLED (CATAMARAN) INTERIOR YACHT DESIGNS | Hakkı TOKOL | 59–84 |
| LOTUS FEET AND SHOE AS A BEAUTY AND SOCIAL STATUS INDICATOR | Havva İMRE | 85–102 |
| A VALUE IN CONTEMPORARY TURKISH PAINTING ART AS AN ART EDUCATOR AND ARTIST, VEYSEL ERÜSTÜN | İbrahim ÇOBAN | 103–113 |
| LOCAL PATTERNS IN THE CONTEXT OF INTERCULTURAL INTERACTION IN THE FASHION SYSTEM | Irmak BAYBURTLU, Gülay KAYGUSUZ | 115–133 |
| THE EFFECTS OF THE SPACE SIZE AND SHAPE OF DANCE STUDIOS ON THE PERCEPTUAL EVALUATION OF THE USERS | Kemal YILDIRIM, Kübra MÜEZZİNOĞLU, Cem ÖZTÜRK | 135–150 |
| ART OBJECT AS AN ENTITY INDICATOR OF INTERDISCIPLINARY AND MULTIDISCIPLNARY APPROACHES | Kerim LAÇİNBAY, Kürşat AZILIOĞLU | 151–168 |
| REVIEW OF DESIGN AND APPLICATION PROCESSES IN INTERIOR ARCHITECTURE EDUCATION WITHIN THE SCOPE OF SOCIAL RESPONSIBILITY PROJECT | Mehmet NORASLI, Ali AKÇAOVA, Fatih MAZLUM | 169–183 |
| IN THE CONTEXT OF MARX’S ECONOMY-POLITICAL CONCEPTS ANALYSIS OF HAUPTMANN’S PLAY OF WEAVERS | Neşe YURDAL | 185–201 |
| INVESTIGATION OF IMPROVISATION PHENOMENON IN ARGENTINE TANGO DANCE ON THE BASIS OF DANCER AND ITS DEMONSTRATION WITH VIDEO ANALYSIS PROGRAM | Onur KAHVECİ, Özgür KAHVECİ | 203–217 |
| MAĞARA ALEGORİSİ VE GÖLGE ARKETİPİ BAĞLAMINDA ÇAĞDAŞ SANAT NESNESİ OLARAK IŞIK-GÖLGE ENSTALASYONU |