| AN EVALUATION ON DIRECTION AND MARKING DESIGNS AFFECTING URBAN IDENTITY | Asım TOPAKLI | 555–576 |
| TRANSFORMATION OF ART MEDIA DURING THE PANDEMIC PERIOD | Sibel KURTOĞLU, Asuman AYPEK ARSLAN | 577–586 |
| THE CREATIVE USE OF ARTIFICIAL INTELLIGENCE IN XR APPLICATIONS | Barış ATİKER | 587–605 |
| DESIGN THINKING COURSE EXAMPLE IN THE STUDENT INTERACTION IN MASSIVE OPEN ONLINE COURSES | Hatice Hümanur BAĞLI, Can GÜVENİR, Özge DEMİRBAŞ | 606–624 |
| KENTSEL DÖNÜŞÜMÜN PSİKO-MEKANSAL YANSIMALARI: iSTANBUL AYAZMA-BEZİRGANBAHÇE ÖRNEĞİ | Emine KÖSEOĞLU,Gizem DURAL,Mesut DURAL | 625–642 |
| PSYCHO-SPATIAL REFLECTIONS OF URBAN TRANSFORMATION: THE CASE OF AYAZMA - BEZIRGANBAHCE IN ISTANBUL | Emine KÖSEOĞLU, Gizem DURAL, Mesut DURAL | 625–642 |
| USING SOCIAL MEDIA PLATFORMS IN EDUCATIONAL AND EDUCATIONAL ACTIVITIES: A HASHTAG REVIEW | Erdem KOÇ | 643–654 |
| COVID-19 PANDEMİSİ KARANTİNA DÖNEMİNDE SPENCER TUNICK’İN SANATINDA BİR ARADA OLMAK | Ezgi ARARATCÜCEOĞLU | 655–665 |
| BEING TOGETHER IN SPENCER TUNICK’S ART IN A TIME OFSELF-ISOLATION DURING COVID-19 PANDEMIC | Ezgi ARARAT CÜCEOĞLU | 655–665 |
| POSTER AS AN EVOLVING MEDIA FROM TRADITIONAL TO DIGITAL | Engin ALUÇ, Fatma Nazlı KÖKSAL | 666–681 |
| AN ANALYSIS ON EMOTIONAL DESIGN APPROACHES IN THE SAMPLE OF THE SEATING ELEMENT | Gülçin GÜNDÜZ,Tülay CANBOLAT | 682–702 |
| PROFESYONEL VE YURTTAŞ HABERCİLERİNİN PERISCOPE'TA HABERCİLİK VE SÖYLEŞİ TARZLARI | Gökmen Hakan KARADAĞ | 703–720 |
| REPORTING AND INTERVIEWING STYLES OF PROFESSIONAL AND CITIZEN REPORTERS ON PERISCOPE | Gökmen Hakan KARADAĞ | 703–720 |
| EXAMPLES OF THE SPIRITUAL UNIVERSE IN THE METAVERSE: EVOL VR AND CARDOLORDZ | Gülenay PINARBAŞI | 721–733 |
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