| “ THE INDIAN MEMORY IN CONTEMPORARY NATIVE AMERICAN ART: NORMAN AKERS AND POSTMODERN ALLEGORY AND SYMBOLS IN HIS PAINTINGS” | CEMİLE ARZU AYTEKİN | 1–19 |
| “ ENVIRONMENTAL ART PRACTICES IN PLASTIC ARTS EDUCATION ” | AYŞE BİLİR | 20–41 |
| “ FROM PAST TO PRESENT THE ‘OWL’ FIGURE IN CERAMIC ART ” | HASAN BAŞKIRKAN | 42–60 |
| “ UNCANNY AND ABJECT: A PROPOSAL IN ORDER TO READ HYPER- REAL FIGURE SCULPTURES AND WEIRD BODIES ” | Seval ŞENER | 61–75 |
| “ FIELD OF ART AS CHANGED WITH TECHNOLOGICAL OPPORTUNITIES ” | Rıdvan COŞKUN | 76–89 |
| “ SCIENCE AND ART AS HUMAN ACTIVITY “ | Suzan Tepe YILMAZ | 90–99 |
| “ LUDWIG van BEETHOVEN 5. Piano Concerto (Emperor) ” | OYTUN EREN | 100–112 |
| “ THE USE OF SCIENTIFIC SYMBOLS AND EQUATIONS IN GRAPHIC DESIGN ” | ÇAĞLAR OKUR | 113–127 |
| “ EXISTENTIAL ARCHITECTURE OF COLLECTIVITY: A PHENOMENOLOGICAL APPROACH TO THE DESSAU TÖRTEN HOUSING ” | Havva SARGIN | 128–155 |
| “ SERAMİK SANATINDA KULLANILAN TORNALAR “ | Zehra ÇOBANLI,AYŞE CANBOLAT | 156–167 |
| “ POTTERY WHEELS IN CERAMIC ART “ | Zehra ÇOBANLI,Ayşe CANBOLAT | 168–179 |
| BODY AS A MATERIAL IN ART IN THE 20TH-21ST CENTURIES: PERFORMANCE ART | Ezgi Hakan Verdu MARTINEZ,Akın DEMİRAL | 192–213 |
| “ METEPEC CERAMICS TREES OF LIFE AND CONTEMPORARY INTERPRETATIONS “ | S. Sibel SEVİM,DUYGU KAHRAMAN,Gökçe ÖZER | 202–211 |
| " JAMES TURELL: AN INSTALLATION ARTIST AT THE INTERSECTION OF ART AND SCIENCE " | Ayşegül POROY | 212–223 |
| “ THE ROLE OF VISUAL ARTS ON SOCIAL PERCEPTION ABOUT GLOBAL CLIMATE CHANGE ” | Cengiz TÜRE | 224–239 |