| EXAMPLES OF CULTURAL IDENTITY IN FASHION; MOLA APPLIQUES | SELDA KOZBEKÇİ AYRANPINAR | 20–40 |
| “TRANSACTIONAL ANALYSIS EGO STATES” IN TEACHER-STUDENT COMMUNICATION IN MUSICAL INSTRUMENT LESSONS | ERSİN TURHAL,NESRİN KALYONCU,AYLA KEÇECİ | 42–65 |
| PHOTOGRAPHERS MAKE UP THE VISUAL HISTORY OF iZMiR | IŞIK SEZER | 66–74 |
| AN ARTIST IN INTERSECTION OF ARCHITECTURE AND PAINTING: HUNDERTWASSER | SELDA AL ŞENSOY,Buket ÖZDEMİR IŞIK | 76–94 |
| PRIMITIVIZM AND IT’S EFFECT ON CONTEMPORARY ART | Berna OKAN | 96–109 |
| A PARADIGM SHIFT IN THE DESIGN CONCEPT TOWARDS IT’S ORIGIN AND IT’S EXPANSIONS FOR THE SPATIAL DESIGN | ÖZGE KANDEMİR | 110–127 |
| THE ANALYSIS OF HEGEL’S MASTER-SLAVE DIALECTIC IN BARBARA KRUGER ARTWORKS VIA DEPENDENT AND INDEPENDENT SELF-CONSCIOUSNESS INDICATORS | Tuba GÜLTEKİN,Ezgi TOKDİL | 128–144 |
| HUZUR EVİNDEKİ YAŞLILARA YÖNELİK HORTİKÜLTÜREL TERAPİNİN VE BAHÇECİLİĞİN ÖNEMİ | Sima POUYA | 146–168 |
| THE IMPORTANCE OF HORTICULTURE THERAPY AND GARDENING FOR OLDER ADULTS IN NURSING HOME | Sima POUYA | 146–168 |
| ART OF EBRU AND MAKING EBRU AS A RITUAL EXPERIENCE | CAN CEYLAN | 168–182 |
| HEALTHCARE FACILITIES IN THE HUMAN AND PLACE INTERACTION AND THE HEALING ROLE OF PLACE | ELİF ÖZGEN | 184–195 |
| NEW GENERATION DIGITAL READING EXPERIENCE AND FUTURE OF E-BOOK | MURAT ERTÜRK,Erhan ÜZÜMCÜ | 196–205 |
| USAGE OF INSECT AS IMAGE IN CONTEMPORARY CERAMIC ART | FİRDEVS MÜJDE GÖKBEL | 206–224 |
| A Research Study to Investıgate User Interface Experıences of Socıal Medıa Users, Over the Age of 60 | Ebru Selcan BARANSELİ,Soner KAYA,Mine ŞEN | 226–249 |
| RATİP AŞİR ACUDOĞU, ONE OF THE FIRST SCULPTORS OF THE REPUBLICAN PERIOD: HIS LIFE AND MONUMENTS |