Journals / Porte Akademik Müzik ve Dans Araştırmaları Dergisi
Porte Akademik Müzik ve Dans Araştırmaları Dergisi
2022 · Sayı: 22
| Article | Author | Pages |
|---|---|---|
| Computational Music Theory | Ruhan ALPAYDIN | 7–22 |
| Form Analysis of the Works Composed in the Nakış Form Transformed to Western Notation in the Hamparsum Notebook Named HDEF 8 in Ali Rifat Çağatay’s Collection | Tarık ÖZTÜRK | 23–37 |
| An Overview of Makam Theory through Turkish Folk Music: Makams and Terkibs That End on Segâh Pitch with Perfect Pitches | Hakan AYKURT | 38–56 |
| Music and Legitimacy: An Analysis Through Theories of Legitimacy | Selim TAN | 57–77 |
| Female Sound Artists of the Sabetayist Gencer Family | Emine ALTINKÖPRÜ, Nesibe Özgül TURGAY | 78–104 |
| A Web-based International Archive And Media Platform Proposal Specific to Maqam Music Regarding the Future of Academic Studies: MaqamLib | Mustafa Gökhan TAŞ | 105–120 |
| A Review of Cem Behar’s book “Orada Bir Musiki Var Uzakta… XVI. Yüzyıl İstanbulu’nda Osmanlı/Türk Musıki Geleneğinin Oluşumu” | Şengül ALTUN ÖNEY | 121–124 |